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Sound Orchestra: Ensemble Development String or Full Orchestra: Mallet Percussion Book

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Sound Orchestra: Ensemble Development String or Full Orchestra Cover Image

Sound Orchestra: Ensemble Development String or Full Orchestra: Mallet Percussion Book

Warm-Up Exercises and Chorales to Improve Blend, Balance, Intonation, Phrasing, and Articulation

By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope

Item: 00-49812

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Description
Sound Orchestra: Ensemble Development for String or Full Orchestra provides a comprehensive and clear approach to developing ensemble performance skills at the intermediate through advanced level with the goal of improving technical facility and musicianship in the string or full orchestra. This method focuses on improving an ensemble's tone quality, intonation, and technique with 270 exercises grouped by key signature, including chorales and orchestral themes, that students will find both a joy and challenge to work through.

Sound Orchestra thoroughly complements performance music for string or full orchestra by isolating and reinforcing each ensemble concept, focusing on improving blend, balance, phrasing, pitch accuracy, and articulation. Additional features: Percussion parts are included * Violin 3 book that replicates the viola book is available * Optional piano and saxophone parts are included * Teacher's scores are available for string orchestra or full orchestra * For intermediate through advanced string orchestra alone, full orchestra, or string orchestra with any combination of wind and percussion players.

Written by By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope, this addition to the revolutionary Sound Innovations series will help your students create beautiful music.

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Additional Details
Series: Sound Orchestra: Ensemble Development
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-4834-2
ISBN13: 978-1-4706-4834-3
UPC: 038081569130
SKU: 00-49812

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) is a composer, pedagogue, and conductor who has shaped string education through innovative large-group methods and eclectic musical approaches. Over nearly three decades directing the Saline, Michigan string program (which grew to over 700 students), he established a national model for excellence across classical and contemporary styles. His published works exceed 200 pieces for orchestras and bands, and he has authored more than 25 instructional series, including all six levels of Sound Innovations and the groundbreaking eclectic style publications Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. An ASCAP award-winning composer, Phillips has conducted at all-state orchestras across the nation, served as resident conductor for the Wintergrass Festival in Seattle for 12 years, and founded the internationally recognized Saline Fiddlers Philharmonic ensemble.

Why we love this

This mallet percussion book slots directly into rehearsals where ensemble refinement matters most. Rather than treating percussion as an accompaniment afterthought, it gives your mallet players focused work on the same musicianship priorities your strings are developing, so tone quality, intonation, blend, and articulation become genuinely orchestral concerns across the entire ensemble.

What to expect

Working through this book feels like having a private lesson during ensemble rehearsal. The chorales and orchestral themes ground technical work in actual musical contexts, so every exercise has shape and purpose rather than existing as isolated drills.

Who it's for

Mallet percussionists in intermediate through advanced string orchestras or full orchestras seeking focused technical development alongside their ensemble. This book serves players who want to strengthen their musicianship in tone production, intonation accuracy, and articulation while working collaboratively with strings and winds.

How to get the most out of it

  • Coordinate the mallet selection and playing technique with your strings before diving into the exercises; consistent articulation between string attacks and mallet strokes transforms individual parts into unified ensemble sound.
  • Use the grouped exercises by key signature to align mallet percussion study with whatever tonality your orchestra is currently exploring in performance repertoire.
  • Assign exercises strategically across the percussion section so that each player builds facility on the specific mallets and techniques required by your concert programming.
  • Record short sections during rehearsal and play them back to the ensemble so percussionists can hear how their tone and phrasing integrate with string balance.

How to use it

Use this as a warm-up or opening activity before tackling your concert repertoire, isolating a specific ensemble concept (blend, phrasing, pitch accuracy) that your orchestra needs to address. The 270 exercises organized by key signature also let you reinforce whatever tonalities appear in pieces you are rehearsing, building facility and confidence simultaneously.

Skills your students will build

  • Tone quality and resonance control on mallet instruments
  • Intonation accuracy and pitch matching with ensemble
  • Articulation consistency across the percussion section
  • Blend and balance integration with strings and winds
  • Reading and executing phrasing marks in orchestral context
  • Technical facility across multiple key signatures
  • Chorales and orchestral themes sight-reading

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