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Sound Orchestra: Ensemble Development String or Full Orchestra: Bass Clarinet Book

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Sound Orchestra: Ensemble Development String or Full Orchestra Cover Image

Sound Orchestra: Ensemble Development String or Full Orchestra: Bass Clarinet Book

Warm-Up Exercises and Chorales to Improve Blend, Balance, Intonation, Phrasing, and Articulation

By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope

Item: 00-49803

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Sound Orchestra: Ensemble Development for String or Full Orchestra provides a comprehensive and clear approach to developing ensemble performance skills at the intermediate through advanced level with the goal of improving technical facility and musicianship in the string or full orchestra. This method focuses on improving an ensemble's tone quality, intonation, and technique with 270 exercises grouped by key signature, including chorales and orchestral themes, that students will find both a joy and challenge to work through.

Sound Orchestra thoroughly complements performance music for string or full orchestra by isolating and reinforcing each ensemble concept, focusing on improving blend, balance, phrasing, pitch accuracy, and articulation. Additional features: Percussion parts are included * Violin 3 book that replicates the viola book is available * Optional piano and saxophone parts are included * Teacher's scores are available for string orchestra or full orchestra * For intermediate through advanced string orchestra alone, full orchestra, or string orchestra with any combination of wind and percussion players.

Written by By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope, this addition to the revolutionary Sound Innovations series will help your students create beautiful music.

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Additional Details
Series: Sound Orchestra: Ensemble Development
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-4825-3
ISBN13: 978-1-4706-4825-1
UPC: 038081569048
SKU: 00-49803

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) is a composer, pedagogue, and conductor who has shaped modern string education through innovative large-group teaching methods and eclectic musical styles. Over his 27-year tenure building the Saline, Michigan string program to over 700 students, he created a nationally recognized model for excellence spanning classical and contemporary idioms. He has authored 25+ educational book series, including all six levels of Sound Innovations and groundbreaking style-focused collections like Fiddlers Philharmonic, Jazz Philharmonic, and Rock Philharmonic. His published works exceed 200 compositions for orchestras and bands, and he holds recognition as an ASCAP award-winning composer whose pieces are performed regularly at the Midwest Clinic.

Phillips has conducted at prestigious venues and festivals including All-State Orchestras across multiple states, Interlochen's Blue Lake Fine Arts Camp, and served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years. His Saline Fiddlers Philharmonic ensemble, which he founded, built an international reputation performing 80+ shows annually and appearing at the White House. His instructional video series, String Clinics to Go, continues to reach thousands of educators nationwide.

Why we love this

This method book isolates the exact skills orchestras need to perform together well, making it an invaluable complement to your concert repertoire rather than a distraction from it. The 270 exercises organized by key signature allow you to reinforce intonation and blend directly in the keys your students are learning, and the inclusion of actual orchestral themes gives context and meaning to every technical drill. With teacher's scores available for both string and full orchestra configurations, you can adapt this resource to your exact ensemble makeup without scrambling to create supplementary materials.

What to expect

Clear, purposeful, and grounded in real orchestral sound. Each exercise targets one specific element of ensemble playing, so students experience immediate feedback when they've locked in together. The orchestral themes provide musical context that makes technical work feel connected to performance rather than abstract.

Who it's for

Intermediate through advanced string orchestras seeking a structured approach to blend, intonation, and articulation without interrupting rehearsal time devoted to concert music. This book works equally well for full orchestras with wind and percussion players, and the flexible instrumentation options (optional saxophone and piano parts, included percussion) let you use it regardless of your ensemble's composition.

How to get the most out of it

  • Prioritize the chorale exercises before moving to faster technical passages; this approach builds the ear control that makes everything else in the book more effective
  • Use the orchestral themes as performance goals, having students play them through before drilling the isolated technique that precedes them in that key
  • Rotate through different keys each rehearsal rather than working sequentially; this prevents the material from feeling repetitive and forces students to engage their reading skills actively
  • Reference these exercises during warmup when preparing for performances in that same key, creating an immediate bridge between technical work and musical application

How to use it

Integrate this into your regular rehearsal routine by opening with one or two key-related exercises before moving into concert repertoire that uses the same tonal center; this creates a direct application and reinforces pitch accuracy throughout the rehearsal. Alternatively, dedicate one full rehearsal per month to working methodically through a new key, treating the progression as a curriculum that develops alongside your ensemble's expanding repertoire.

Skills your students will build

  • Intonation control in all key signatures
  • Blend and balance within string sections and across the full orchestra
  • Phrase shaping and articulation consistency
  • Tone quality and resonance in ensemble settings
  • Reading and executing multiple musical styles within a unified sound

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