Princess (From "a Man of No Importance"): Piano/Vocal/Chords
A Treasury of Songs from Stage & Film, Specially Designed for Teen Singers!
Ed. Lisa DeSpain
Item: 00-PS-0010489
One moment…
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Description
Titles: A Little Brains, a Little Talent (from Damn Yankees) * All for You (Seussical the Musical) * Always True to You in My Fashion * (Kiss Me Kate) * Astonishing (Little Women) * Bewitched, Bothered and Bewildered * (Pal Joey) * Boy Wanted (My One and Only * Don't Rain on My Parade (Funny Girl) * Gimme Gimme (Thoroughly Modern Millie) * Hold On (The Secret Garden) * Home (The Wiz) * How Are Things in Glocca Morra? (Finian's Rainbow) * I Had Myself a True Love (St. Louis Woman) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm Not At All in Love (The Pajama Game) * Is It Really Me? * (110 in the Shade) * Mama Who Bore Me (Spring Awakening) * Mamma Mia (Mamma Mia) * Much More (The Fantasticks) * The Music That Makes Me Dance (Funny Girl) * The New Girl in Town (Hairspray) * Part of Your World (The Little Mermaid) * Practically Perfect (Mary Poppins) * Princess (A Man of No Importance) * Raunchy (110 in the Shade) * Roxie (Chicago) * Show Me (My Fair Lady) * Shy (Once Upon a Mattress) * The Simple Joys of Maidenhood (Camelot) * Somewhere That's Green (Little Shop of Horrors) * Waiting for Life (Once on This Island) * Whispering (Spring Awakening) * Your Daddy's Son (Ragtime).
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Sample Audio
Part of Your World (The Little Mermaid)
Sample Video
Additional Details
More about this title
About the Composer: Stephen Flaherty
Stephen Flaherty has composed for Broadway, film, and concert stages with a gift for lyrical melody and emotional directness. His work across diverse genres—from intimate chamber musicals to large-scale productions—demonstrates both technical sophistication and genuine accessibility for performers.
Why we love this
This collection curates a genuinely useful cross-section of Broadway repertoire scaled thoughtfully for teen voices, with "Princess" offering a character-driven moment that doesn't rely on belting. The inclusion of audition cuts and contextual notes transforms a songbook into a teaching tool.
What to expect
A reflective, character-centered moment that invites the singer inward before opening up. The song carries both vulnerability and quiet conviction.
Who it's for
Teen singers preparing auditions, building a recital program, or performing in a song cycle. Voices with a solid foundation in musical theatre style will find this material supportive and rewarding.
How to get the most out of it
- Connect to the character's emotional arc rather than the lyric alone; this song rewards specificity in subtext and intention.
- Balance the melodic line with harmonic support from the piano; the accompaniment is designed to hold the shape of the music without overwhelming the voice.
- Approach the range naturally without forcing extremes; the song's power comes from sincere delivery, not vocal display.
- Reference the recorded accompaniment to lock the style and phrasing before rehearsing with a live pianist.
How to use it
Program this alongside other character songs from the anthology to build a thematic cabaret or concert suite. It also works as a solo audition piece for singers seeking material that showcases emotional maturity over technical pyrotechnics.
Skills your students will build
- Sustained legit singing technique with attention to phrase shape
- Character interpretation and emotional honesty in musical theatre contexts
- Reading piano/vocal scores with chord symbols
- Auditioning skills, including selecting and executing song cuts