A Little Brains, A Little Talent (From "Damn Yankees"): Piano/Vocal/Chords
A Treasury of Songs from Stage & Film, Specially Designed for Teen Singers!
Ed. Lisa DeSpain
Item: 00-PS-0010483
One moment…
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Description
Titles: A Little Brains, a Little Talent (from Damn Yankees) * All for You (Seussical the Musical) * Always True to You in My Fashion * (Kiss Me Kate) * Astonishing (Little Women) * Bewitched, Bothered and Bewildered * (Pal Joey) * Boy Wanted (My One and Only * Don't Rain on My Parade (Funny Girl) * Gimme Gimme (Thoroughly Modern Millie) * Hold On (The Secret Garden) * Home (The Wiz) * How Are Things in Glocca Morra? (Finian's Rainbow) * I Had Myself a True Love (St. Louis Woman) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm Not At All in Love (The Pajama Game) * Is It Really Me? * (110 in the Shade) * Mama Who Bore Me (Spring Awakening) * Mamma Mia (Mamma Mia) * Much More (The Fantasticks) * The Music That Makes Me Dance (Funny Girl) * The New Girl in Town (Hairspray) * Part of Your World (The Little Mermaid) * Practically Perfect (Mary Poppins) * Princess (A Man of No Importance) * Raunchy (110 in the Shade) * Roxie (Chicago) * Show Me (My Fair Lady) * Shy (Once Upon a Mattress) * The Simple Joys of Maidenhood (Camelot) * Somewhere That's Green (Little Shop of Horrors) * Waiting for Life (Once on This Island) * Whispering (Spring Awakening) * Your Daddy's Son (Ragtime).
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Sample Audio
Part of Your World (The Little Mermaid)
Sample Video
Additional Details
More about this title
About the Composer: Richard Adler
Richard Adler composed some of Broadway's most infectious and enduring scores during the 1950s golden age of musical theatre. Working primarily with lyricist Jerry Ross, Adler brought a gift for memorable melodies and sophisticated orchestration to shows like Damn Yankees and The Pajama Game, both of which won Tony Awards and became standards of the American musical canon.
Why we love this
This single song from Damn Yankees sits perfectly in the contemporary teen musical theatre canon. The number lands comfortably in teen soprano ranges while retaining the charm and comic sophistication of the original, making it genuinely fun to sing rather than simply manageable. Pairing it with audition tips and cut suggestions acknowledges that teen singers often need this song as an audition tool, so the pedagogy serves the real lives of your students.
What to expect
Brassy, confident, and tongue-in-cheek. The character knows exactly who she is and isn't apologizing for it. There's lightness and swing to the melody, matched by lyrics that celebrate practical self-knowledge over false modesty. It's the kind of song that lets a teen singer feel clever and in control.
Who it's for
Teen soprano and mezzo singers preparing audition repertoire or seeking a comedic showstopper that doesn't require vocal gymnastics beyond their current range. Directors assembling teen musical theatre programming will find this song particularly useful because it delivers big entertainment value at an appropriate difficulty level. The collection's audition tips and cut suggestions make it especially valuable for singers navigating the audition process.
How to get the most out of it
- Keep the comedic intent front and center. The lyrics are self-aware and witty, so lean into the character's personality rather than playing it straight.
- Shape the phrases with a conversational tone even when the melodic line sits high. This prevents the song from feeling precious or overly dramatic.
- Use the accompaniment track to lock in the rhythmic pocket. The original has a swinging, confident groove that supports the character's braggadocio.
- Articulate the consonants crisply on words like 'brains' and 'talent' to land the comedic punches without belaboring the text.
How to use it
Program this as a palate-cleansing comedic moment in a revue or concert of musical theatre songs, where it will stand out against more lyrical or dramatic selections. It also serves well as an audition preparation tool in your studio or classroom, especially paired with the collection's historical context and cutting suggestions. The song's brevity and comic punch make it ideal for shorter concert slots or as an opener that sets an energetic, entertaining tone.
Skills your students will build
- Comic timing and character interpretation in a musical theatre context
- Phrasing and articulation that serve lyrical clarity without sacrificing musicality
- Confidence in belted or belt-adjacent singing at accessible ranges
- Audition strategy and song selection awareness