Boy Wanted (From "My One and Only"): Piano/Vocal/Chords
A Treasury of Songs from Stage & Film, Specially Designed for Teen Singers!
Ed. Lisa DeSpain
Item: 00-PS-0010441
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Description
Titles: A Little Brains, a Little Talent (from Damn Yankees) * All for You (Seussical the Musical) * Always True to You in My Fashion * (Kiss Me Kate) * Astonishing (Little Women) * Bewitched, Bothered and Bewildered * (Pal Joey) * Boy Wanted (My One and Only * Don't Rain on My Parade (Funny Girl) * Gimme Gimme (Thoroughly Modern Millie) * Hold On (The Secret Garden) * Home (The Wiz) * How Are Things in Glocca Morra? (Finian's Rainbow) * I Had Myself a True Love (St. Louis Woman) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm Not At All in Love (The Pajama Game) * Is It Really Me? * (110 in the Shade) * Mama Who Bore Me (Spring Awakening) * Mamma Mia (Mamma Mia) * Much More (The Fantasticks) * The Music That Makes Me Dance (Funny Girl) * The New Girl in Town (Hairspray) * Part of Your World (The Little Mermaid) * Practically Perfect (Mary Poppins) * Princess (A Man of No Importance) * Raunchy (110 in the Shade) * Roxie (Chicago) * Show Me (My Fair Lady) * Shy (Once Upon a Mattress) * The Simple Joys of Maidenhood (Camelot) * Somewhere That's Green (Little Shop of Horrors) * Waiting for Life (Once on This Island) * Whispering (Spring Awakening) * Your Daddy's Son (Ragtime).
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Sample Audio
Part of Your World (The Little Mermaid)
Sample Video
Additional Details
More about this title
About the Composer: George Gershwin
George Gershwin (1898-1937) bridged classical and popular music in ways that fundamentally shaped American concert music and Broadway. His gift for melody and harmonic sophistication made him one of the most performed composers of the twentieth century, and his theatrical works revolutionized how music could function on stage.
For music educators, Gershwin's output represents a crucial teaching opportunity. His songs reveal how serious compositional craft can coexist with accessibility and genuine emotional connection. Students studying his work encounter jazz idioms, sophisticated harmonies, and character-driven songs that demand both vocal maturity and interpretive depth.
Why we love this
This is the single "Boy Wanted" as it appears in the Broadway Presents! collection, which means singers get the original vocal score adapted thoughtfully for teen ranges alongside peer audition tips and cut suggestions written by someone who understands what young performers actually need. The collection's contextual notes transform individual songs from isolated audition pieces into windows onto theatre history, and having accompaniment tracks available removes a significant logistical barrier for rehearsal and performance.
What to expect
"Boy Wanted" captures the playfulness and directness of a character making her case with wit and charm. The song sits in that perfect sweet spot where Gershwin's melody feels conversational and singable, yet the underlying harmonies add sophistication and emotional layers that reward close listening.
Who it's for
Teen singers preparing for auditions, school musicals, or recitals who want to explore the Great American Songbook with material calibrated to their current range and interpretive development. This adaptation makes a classic Gershwin song accessible without sacrificing the sophistication that makes his writing rewarding to sing.
How to get the most out of it
- Study the original production context of "My One and Only" to understand the character's personality and emotional arc; this informs phrasing choices that go beyond following the printed dynamics
- Experiment with rhythmic flexibility in the melody line, particularly in how you approach the syncopations that are characteristic of Gershwin's style
- Balance the vulnerability in the lyrical passages with the character's underlying confidence; Gershwin's harmonies support both readings if you listen closely
- Use the recorded accompaniment to lock in the groove, particularly where the song sits rhythmically, but save several rehearsals for singing with a live pianist to develop independence
How to use it
Feature this in a solo recital exploring standards from different eras, or use it as part of a school musical audition preparation workshop where students explore how song selection and arrangement impact their competitive positioning. The piece also works beautifully in a pops concert celebrating American musical theatre alongside lighter contemporary material.
Skills your students will build
- Singing Gershwin's characteristic rhythmic syncopation with accuracy and style
- Balancing legit Broadway vocal production with jazz-influenced phrasing
- Interpreting character through song lyrics and harmonic context
- Sight-reading and performing from a lead sheet with chord symbols
- Maintaining consistent vocal line over a rhythmically active accompaniment