Play With Fire: Bass TAB
The Rolling Stones
Item: 00-PS-0010208
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Description
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More about this title
About the Composer: Nanker Phelge
Nanker Phelge is the pseudonymous writing credit used by The Rolling Stones during their early years, representing the collective songwriting of Mick Jagger and Keith Richards alongside other band members. This nom de plume appears on many of the Stones' foundational tracks from the 1960s, capturing a pivotal moment when the band was absorbing American blues and rock influences and synthesizing them into their own distinctive sound.
The songs credited to Nanker Phelge showcase the songwriting partnership at its most inventive and prolific. From blues-based originals to sophisticated pop arrangements, these compositions established the template for rock writing that would define the band's career and influence countless musicians across generations.
Why we love this
This collection gives bass players direct access to one of rock's most influential catalogs, with all 21 tracks from the best-selling Stones compilation fully transcribed. The songs span a remarkable range of styles and bass approaches, from the driving lines of 'Jumpin' Jack Football' to the nuanced playing required for 'Paint It Black,' making it an education in itself.
What to expect
Playing through Hot Rocks is a masterclass in restraint and pocket. These songs move between bluesy simplicity and intricate rhythmic interplay, grounded in the fundamental understanding that the bass holds the song's foundation. The arc across 21 tracks feels like watching a band find and refine its voice.
Who it's for
Bass players who want to deepen their knowledge of rock fundamentals through studying one of the genre's most significant catalogs. This collection works equally well for students building repertoire and experienced players exploring how the Stones' bass parts evolved across their first decade.
How to get the most out of it
- Study the rhythmic pocket of each song before focusing on the exact pitches. The Stones' bass parts rely heavily on feel and groove; locking into the drum part will make the transcriptions sit correctly.
- Pay attention to dynamics across the album. Early tracks like 'Time Is on My Side' sit lighter in the mix, while later songs like 'Sympathy for the Devil' demand more presence and aggression.
- Reference the original recordings while learning from the TAB. Hearing how these lines sit in context with the guitar and drums will deepen your understanding of the arrangement choices.
- Notice how the bass interacts with the songwriting over the chronological progression. The early covers show restraint, while the later originals feature more inventive countermelody and syncopation.
How to use it
Use individual tracks as performance vehicles in recitals or band settings where the bass can step into the spotlight. The range of moods and tempos makes the collection useful for study sequences, or tackle the entire album as a semester-long exploration of rock bass fundamentals and the evolution of a single band's approach.
Skills your students will build
- Playing to a groove without losing musical intention
- Transcribing and interpreting bass parts from recordings
- Understanding the relationship between bass lines and drum patterns in rock contexts
- Navigating different bass approaches across blues, rock, and pop styles
- Maintaining rhythmic integrity while serving the song's emotional arc