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Accent on Achievement, Book 3: E-flat Alto Clarinet Book

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Accent on Achievement, Book 3 Cover Image

Accent on Achievement, Book 3: E-flat Alto Clarinet Book

The "Keys" to Success - Progressive Technical & Rhythmic Studies in all 12 Major and 12 Minor Keys

By John O'Reilly and Mark Williams

Level: Intermediate

Item: 00-18057

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Description
Accent on Achievement is a revolutionary, best-selling band method that will excite and stimulate your students through full-color pages and the most complete collection of classics and world music in any band method. The comprehensive review cycle in books 1 & 2 will ensure that students remember what they learn and progress quickly. Also included are rhythm and rest exercises, chorales, scale exercises, and 11 full band arrangements among the first two books. Book 3 includes progressive technical, rhythmic studies and chorales in all 12 major and minor keys. Also included are lip slur exercises for increasing brass instrument range and flexibility. Accent on Achievement meets and exceeds the USA National Standards for music education, grades five through eight.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-0626-6
ISBN13: 978-0-7390-0626-9
UPC: 038081175010
SKU: 00-18057
Instrumentation: E-flat Alto Clarinet

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About the Authors

John O'Reilly

Mark Williams
Mark Williams stands among the most celebrated composers specializing in school band and orchestra music. A Chicago native who came of age in Spokane, Washington, he shaped young musicians throughout the state as an elementary band educator. His academic foundation included a Bachelor of Arts in Education and a Master of Education from Eastern Washington University, alongside his professional work as a woodwind performer and arranger with the 560th Air Force Band.

With more than 200 compositions published, Williams left an indelible mark on music education through works written for band, orchestra, and choir. He co-authored the widely used Accent on Achievement Band Method and garnered significant recognition, including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards for his contributions to the field.

As a clinician and guest conductor, Williams shared his expertise across 34 states, five Canadian provinces, and Australia. Beyond his prolific compositional output, he maintained an active performance schedule on bassoon and served as conductor and artistic director for the Spokane British Brass Band, demonstrating his commitment to music-making at every level.

Why we love this

Book 3 honors alto clarinet players with the same rigorous, musically rich content as the full band method while addressing the specific technical demands of the instrument. The progression through all 12 major and minor keys in a dedicated book ensures alto clarinetists develop genuine harmonic fluency and confidence navigating chromatic passages, rather than simply following along with other clarinets.

What to expect

Working through Book 3 feels like stepping into a richer harmonic world. The progression through all 12 keys gives each page a different color and character, while the chorales provide grounding moments that remind you why technique matters. Technical passages challenge your fingers and embouchure, but the structure is always supportive, never overwhelming.

Who it's for

Alto clarinetists in intermediate concert bands and wind ensembles, typically grades 6-8, who have completed foundational method books and are ready for more sophisticated harmonic and technical work. This book serves students who need instrument-specific material that matches their ensemble's developmental level without requiring constant transposition from soprano clarinet parts.

How to get the most out of it

  • Treat the lip slur exercises as daily tone-building work, not just technical drills. These sequences strengthen embouchure control and expand your comfortable range significantly over the course of the book.
  • Work the scale exercises in all 12 keys methodically, spending at least one week on each key center. This steady approach builds fingering security and intonation awareness rather than rushing through them.
  • Balance chorales with technical studies by using them as listening and phrasing reference points. After a passage of rhythm work, return to a chorale to hear how musical line-shaping actually sounds.
  • Mark fingering concerns or intonation trouble spots directly in your book during the first read-through, then target those passages in focused practice sessions before full run-throughs.

How to use it

Use Book 3 as the primary method resource for alto clarinet players in your second or third year of instruction, running it alongside your concert band's full ensemble repertoire. The 40-page arc maps well to a full school year, allowing you to assign material that reinforces whatever keys and technical demands your current repertoire requires.

Skills your students will build

  • Reading in all 12 major and minor keys
  • Playing lip slurs to expand range and embouchure flexibility
  • Rhythmic accuracy through isolated rhythm and rest exercises
  • Harmonic awareness and voice-leading through four-part chorales
  • Technical facility across progressive patterns and scale work
  • Sight-reading fluency with varied, musically appropriate material

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