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Accent on Achievement, Book 3: Mallet Percussion & Timpani Book

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Accent on Achievement, Book 3 Cover Image

Accent on Achievement, Book 3: Mallet Percussion & Timpani Book

The "Keys" to Success - Progressive Technical & Rhythmic Studies in all 12 Major and 12 Minor Keys

By John O'Reilly and Mark Williams

Item: 00-18070

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Accent on Achievement is a revolutionary, best-selling band method that will excite and stimulate your students through full-color pages and the most complete collection of classics and world music in any band method. The comprehensive review cycle in books 1 & 2 will ensure that students remember what they learn and progress quickly. Also included are rhythm and rest exercises, chorales, scale exercises, and 11 full band arrangements among the first two books. Book 3 includes progressive technical, rhythmic studies and chorales in all 12 major and minor keys. Also included are lip slur exercises for increasing brass instrument range and flexibility. Accent on Achievement meets and exceeds the USA National Standards for music education, grades five through eight.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-0639-8
ISBN13: 978-0-7390-0639-9
UPC: 038081175140
SKU: 00-18070
Instrumentation: Mallet Percussion & Timpani

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About the Authors

John O'Reilly

Mark Williams
Mark Williams stands as a leading composer specializing in works for school bands and orchestras. He co-authored the widely-used Accent on Achievement Band Method and published over 200 compositions throughout his career. His expertise in elementary band instruction shaped his work both as an educator and creative voice in school music.

Williams spent much of his career teaching in Washington state, where he earned his Bachelor of Arts in Education and Master of Education from Eastern Washington University. His compositional achievements brought him widespread recognition, including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. As a guest conductor and clinician, he shared his knowledge across 34 states, five Canadian provinces, and Australia.

Beyond composing and teaching, Williams performed regularly on bassoon and served as Conductor and Artistic Director for the Spokane British Brass Band. His versatile musical background included work as a woodwind performer and arranger for the 560th Air Force Band. A Chicago native who grew up in Spokane, Williams created an extensive body of music for band, orchestra, and choir that continues to influence school music programs.

Why we love this

The Mallet Percussion & Timpani Book gives your percussion students a dedicated learning path that doesn't shortchange them by forcing them through exercises built for pitched instruments. Integrated into a system where every student learns together while developing their own instrumental voice, this book ensures percussionists advance through the same musical content, key signatures, and ensemble pieces as the rest of the band without compromise.

What to expect

Purposeful and grounded. These pages build confidence through clear progression rather than scattered exercises, giving students permission to own the low-end harmonic foundation of the band. There's genuine musicianship in the chorales and technical work—not busywork, but repertoire that matters.

Who it's for

Mallet and timpani students progressing through Book 3 of Accent on Achievement, typically grades 5-8 musicians who have completed foundational technical work and are ready for studies in all 12 major and minor keys. Students benefit from working within a coordinated curriculum where their percussion studies align directly with the band's harmonic language and ensemble repertoire.

How to get the most out of it

  • Encourage mallet control by isolating single-note passages before playing them in context; students often rush when anxious about coordination.
  • Map timpani pedal changes clearly during rehearsal by marking exact foot positions on the staff or using rehearsal letters as landmarks.
  • Balance vibraphone and marimba voicings by adjusting bar strike location and mallet hardness; softening the attack helps blend with sustained band sonorities.
  • Layer timpani parts with the lowest brass to anchor harmonic definition; mark dynamic relationships in the score so timpani students understand their role in the ensemble balance.

How to use it

Use Book 3 as the foundation for your second and third-year percussionists, positioning them to contribute solid harmonic and rhythmic anchoring to concert pieces and full-band arrangements. The systematic key study supports whatever repertoire your band is reading that year, ensuring percussionists can execute their parts with precision and understanding.

Skills your students will build

  • Reading and executing passages in all 12 major and minor keys
  • Pedal control and accurate pitch change on timpani
  • Mallet technique and tone production across vibraphone, marimba, and xylophone
  • Rhythmic independence and subdivision in complex meters
  • Harmonic awareness through chorale-based exercises
  • Dynamic and stylistic control across multiple percussion colors

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