They Can't Take That Away from Me Cover Image

They Can't Take That Away from Me: SSAA Choral Octavo

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They Can't Take That Away from Me Cover Image

They Can't Take That Away from Me: SSAA Choral Octavo

Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes

Item: 00-48847

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Now available S.S.A.A. and T.T.B.B. One of the most charming songs from the great era of American popular song. "The way you wear your hat, the way you sip your tea . . . no, no, they can't take that away from me." The unhurried swing feel of this arrangement is right on target for the sophisticated Gershwin style. Strong voice writing and supportive piano accompaniment. A classic!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081561714
SKU: 00-48847

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) revolutionized American music by merging classical forms with jazz idioms and popular song. His melodic gift and harmonic sophistication made him equally at home writing symphonic works and standards for Broadway and film, earning him recognition as one of the most influential composers of the twentieth century.

Ira Gershwin, George's lyricist brother, crafted witty, conversational lyrics that felt effortless on the tongue. Together they created some of the Great American Songbook's most enduring numbers, including this affectionate portrait of romantic devotion wrapped in casual charm.

Why we love this

Mark Hayes captures the song's elegant sophistication without overcomplicating it. The unhurried swing feel sits perfectly in the SSAA voicing, giving singers room to phrase naturally while the supporting piano keeps everything grounded in Gershwin's harmonic world. This is mature popular song writing that rewards careful listening and expressive singing.

What to expect

Sophisticated and wistful. The melody unfolds with an almost conversational ease, and the swing rhythm gives it a relaxed confidence. There's genuine warmth here, not sentimentality—a singer's reflection on the small, irreplaceable things that define a person you love.

Who it's for

SSAA choirs with solid musicianship and comfort with jazz inflection. This works beautifully for high school and college choirs, community ensembles, and advanced middle school groups who can sustain the lyrical phrasing and nail the subtler aspects of swing.

How to get the most out of it

  • Let the rhythm breathe. The swing feel means resisting the urge to rush; the charm lives in the space between the notes, not in the tempo.
  • Shape the melodic phrases as you would speech. Gershwin's lyrics are conversational, so treat the tune like you're telling the story rather than displaying the music.
  • Balance the voice parts so the accompaniment and harmony remain visible. Hayes's piano writing is elegant and integral, not background filler.
  • Use the recorded accompaniment during rehearsal to anchor the swing feel if your singers need rhythmic reference.

How to use it

Pair this with other Great American Songbook standards for a focused concert set, or use it as a palate cleanser in a varied program that mixes classical, spiritual, and contemporary work. Its relatively brief length and accessible style make it ideal for informal performances, alumni events, or jazz-adjacent programming where you want polished but approachable repertoire.

Skills your students will build

  • Swing phrasing and rhythmic flexibility in jazz-inflected style
  • Balancing four independent voice parts while maintaining choral blend
  • Interpretation of popular song lyricism with conversational text delivery
  • Reading and performing in SSAA voicing with detailed harmonic writing

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