Sympathy for the Devil: Piano/Vocal/Chords
The Rolling Stones
Item: 00-PS-0012144
Pickup currently not available
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Description
Titles: 19th Nervous Breakdown * 2000 Light Years from Home * As Tears Go By * Brown Sugar * Child of the Moon * Come On * Congratulations * Dandelion * Get Off of My Cloud * Good Times, Bad Times * Gotta Get Away * Have You Seen Your Mother, Baby, Standing in the Shadow? * Heart of Stone * Honky Tonk Women * (I Can't Get No) Satisfaction * I Don't Know Why * I Just Want to Make Love to You * I Wanna Be Your Man * I Want to Be Loved * I'm Free * In Another Land * It's All Over Now * Jiving Sister Fanny * Jumpin' Jack Flash * Lady Jane * Let's Spend the Night Together * Little by Little * Little Red Rooster * Long Long While * Memo from Turner * Mother's Little Helper * No Expectations * Not Fade Away * Off the Hook * Out of Time * Paint It, Black * Play with Fire * Ruby Tuesday * Sad Day * She's a Rainbow * Stoned * Street Fighting Man * Stupid Girl * Surprise, Surprise * Sympathy for the Devil * Tell Me (You're Coming Back) * The Lantern * The Last Time * The Singer Not the Song * The Spider and the Fly * The Under Assistant West Coast Promotion Man * Time Is on My Side * Try a Little Harder * We Love You * What a Shame * Who's Driving Your Plane? * Wild Horses * You Can't Always Get What You Want.
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More about this title
About the Composer: Mick Jagger
Mick Jagger co-founded The Rolling Stones in 1962 and served as the band's lead vocalist and primary lyricist throughout their career. His songwriting partnership with Keith Richards produced some of rock music's most enduring compositions, from early blues covers to complex original works that pushed the boundaries of popular music. As a composer, Jagger's contributions span five decades of studio albums and live performances that fundamentally shaped rock and roll.
Why we love this
This collection spans the full arc of the Stones' creative output, from their raw early blues-rock singles to their most ambitious and lyrically sophisticated work. Keyboardists and singers benefit from having authentic piano/vocal arrangements of genuine classics in one resource, making it invaluable for building contemporary rock repertoire. The sheer breadth means you can program anything from stripped-down duets to full band arrangements without hunting through multiple sources.
What to expect
These songs bristle with attitude, swagger, and genuine musical sophistication. You'll move between bluesy grooves, intricate harmonic movements, and deceptively simple melodies that reveal their power only in performance.
Who it's for
Keyboardists and singers preparing rock repertoire for recitals, auditions, or performance ensembles will find 58 of the Stones' most recognizable hits in one volume. This collection works equally well for classically trained musicians exploring rock songwriting and for rock musicians who want reliable, singable arrangements. Teachers building contemporary rock literacy in their studios will use this as a core text.
How to get the most out of it
- Balance vocal phrasing with the rhythmic groove of the piano part; these songs prioritize swing and pocket over strict metronomic precision.
- Study the original recordings to internalize the harmonic and rhythmic context, especially for songs with modal or blues-inflected chord movements.
- Treat the chord symbols as a foundation, not a constraint; the Stones' sound often comes from tasteful extensions and reharmonization rather than basic triads.
- Pay attention to dynamic control in the piano part, since many of these songs build power through layering rather than volume alone.
How to use it
Use this as your primary source for contemporary rock programming, whether you're building a mixed-genre recital, teaching rock history through original songwriting, or preparing students for jazz ensemble auditions that value familiarity with standard rock repertoire. The breadth of the collection means you can program a themed concert around a single era of the Stones' work or mix hits from across their catalog.
Skills your students will build
- Reading and interpreting slash chords and extended harmonic symbols in rock contexts
- Singing over swung eighth-note rhythms and syncopated melodic lines
- Comp and accompaniment patterns specific to rock and blues-based songwriting
- Vocal phrasing that balances legit technique with conversational, character-driven delivery
- Recognizing modal and blues-scale influences in melodic and harmonic structure