'S Wonderful with It's De-Lovely! Cover Image

'S Wonderful with It's De-Lovely!: Choral SoundPax

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'S Wonderful with It's De-Lovely! Cover Image

'S Wonderful with It's De-Lovely!: Choral SoundPax

Words and music by George and Ira Gershwin, Cole Porter / arr. Kirby Shaw

Item: 00-48498

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A delectable duo of old-school Broadway tunes from three masters of American musical theater: the Gershswins and Cole Porter. Enjoy playful lyrics and sweet jazz harmonies in combination with a truly swingin' accompaniment, also available as SoundTrax or rhythm section SoundPax. 'S Wonderful, indeed!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 'S Wonderful with It's De-Lovely!: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081553214
SKU: 00-48498

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw brings three decades of choral leadership across North America, Europe, and beyond. Trained in both music education and choral composition at San Jose State University, with a doctorate in choral conducting from the University of Washington, Shaw has built a reputation for arrangements that balance accessibility with genuine musicianship. His work directing vocal jazz ensembles at College of the Siskiyous, Colorado State University, University of Missouri at Kansas City, and Southern Oregon University reflects his commitment to elevating choral performance at every level.

With more than 2,500 choral works in print and nearly 20 million copies sold worldwide, Shaw's prolific output speaks to his gift for understanding what singers need and what audiences love. His collaborations with vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks, combined with his ASCAP recognition and recent commission from the Mormon Tabernacle Choir, cement his standing as one of American choral music's most respected voices. He performs regularly with Just 4 Kicks, a four-part a cappella ensemble specializing in jazz.

Why we love this

Shaw arranges these Broadway standards with the ear of someone who understands what makes a choir sing together. The jazz harmonies feel sophisticated without becoming academic, and the swing rhythms invite natural musicality rather than forcing precision. Paired with recorded accompaniments, this becomes a performance-ready package that lets singers focus on enjoying the material rather than wrestling with complex part writing.

What to expect

Stepping into a mid-century jazz lounge with impeccable taste. The harmonies are warm and sophisticated, the rhythms bounce with genuine swing, and the lyrics sparkle with wit and charm. This is music that makes singers smile while they're performing and audiences lean in to listen.

Who it's for

Intermediate to advanced choirs looking for engaging, accessible concert material that showcases both blend and personality. This works equally well for high school show choirs, college recreational choirs, and community ensembles seeking Broadway repertoire with a jazz edge.

How to get the most out of it

  • Let the rhythm section accompaniment lock in first during rehearsal; once the band feel is solid, your singers will naturally find the groove without overthinking.
  • Resist the temptation to slow these tempos down. The lightness of these standards depends on forward motion and air in the phrasing.
  • Shape the jazz harmonies by encouraging singers to listen across all four parts rather than protecting only their own line; the color emerges from blend, not isolation.
  • Work the lyrical text for comedic timing and charm. These songs have playful personalities that live in the word choices and inflections, not just the melody.

How to use it

These paired standards make an ideal pairing for a concert set focused on Great American Songbook material, or a shorter segment within a larger program where you want to shift the energy toward something bright and sophisticated. They sit comfortably alongside other jazz-inflected repertoire or as a palate cleanser between more serious choral works.

Skills your students will build

  • Singing in jazz idiom with authentic swing phrasing
  • Balancing choral blend with individual voice character in jazz voicings
  • Responding to rhythm section accompaniment and internalizing groove
  • Coordinate diction and articulation across close jazz harmonies
  • Interpreting stylistic nuance in Great American Songbook material

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