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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 'S Wonderful with It's De-Lovely!: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Kirby Shaw

Kirby Shaw's influence on American choral music spans five decades and six continents. With formal training in Music Education, Choral Composition, and Choral Conducting from San Jose State University and the University of Washington, Shaw has built a career bridging classical choral traditions with jazz and contemporary vocal music. He founded and directed acclaimed vocal jazz ensembles at the College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City, earning mentorship from vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks.
Shaw's creative output is staggering: over 2,500 published choral arrangements and compositions that have sold nearly 20 million copies worldwide and earned multiple ASCAP awards. Beyond the page, he remains active as a composer, clinician, and ensemble director at Southern Oregon University, where he leads the Jefferson State Choral Coalition. His collaborative work with his wife Markita extends to musical theater, including an original adaptation of Charles Dickens' A Christmas Carol.
Why we love this
Shaw's arrangement captures the conversational ease and rhythmic sophistication of these two Gershwin and Cole Porter standards without overcomplicating them. The jazz harmonies feel organic rather than imposed, and the lyrics remain crystal clear even as the voicing moves through unexpected chord changes. This is Shaw at his best: respecting the source material while giving choirs something genuinely fun to rehearse and perform.
What to expect
Charming and playful, with the elegant sophistication of mid-century Broadway filtered through a modern choral lens. The sweet jazz harmonies sparkle against the straightforward melodies, and the recorded accompaniment swings hard enough to make the choir feel transported to a supper club rather than a concert stage.
Who it's for
Choirs seeking accessible yet stylistically sophisticated material drawn from American musical theater. This works equally well for community and school ensembles with solid diction and moderate vocal jazz experience, or as an introduction to swing and Great American Songbook standards for singers with stronger classical training.
How to get the most out of it
- Lock the rhythm section feel early in rehearsal by having the choir snap or conduct the backbeat with the recorded accompaniment before learning any pitches.
- Shape the phrasing as if you're speaking conversationally rather than singing formally; these songs live in the space between jazz inflection and theatrical delivery.
- Balance the upper voices carefully during harmonic movement to prevent the jazz voicings from sounding muddy or unclear.
- Work dynamics in sections rather than as a full chorus first; each phrase has its own energy arc that Shaw has built into the arrangement.
How to use it
Program this alongside other American Songbook standards or contemporary jazz arrangements to create a cohesive set within a larger concert. The pairing of two contrasting but complementary songs makes it ideal for a variety show, pops concert, or any program celebrating musical theater's golden age.
Skills your students will build
- Reading and executing jazz voicings and extended harmonies
- Sustaining rhythmic precision in swing style with recorded accompaniment
- Balancing independent voice parts while maintaining harmonic blend
- Performing with stylistic nuance in the Great American Songbook idiom