'S Wonderful with It's De-Lovely!: SSA Choral Octavo
Words and music by George and Ira Gershwin, Cole Porter / arr. Kirby Shaw
Item: 00-PO-0006463
Minimum order quantity: 20 copies
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About the Arranger: Kirby Shaw

Kirby Shaw's influence on choral music education spans five decades and six continents. A DMA graduate in Choral Conducting from the University of Washington and a San Jose State University alumnus with degrees in Music Education and Choral Composition, Shaw built his reputation founding and directing celebrated vocal jazz ensembles at College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City. His teaching is marked by infectious energy and deep musicianship; he has worked one-on-one with jazz legends including Bobby McFerrill, Al Jarreau, and Jon Hendricks.
With over 2,500 choral arrangements and compositions in print and nearly 20 million copies sold worldwide, Shaw has become one of the most performed arrangers in American choral music. His prolific output has earned multiple ASCAP awards, and his work ranges from educational pieces to commissions for the Mormon Tabernacle Choir. Currently directing the Jefferson State Choral Coalition at Southern Oregon University, Shaw continues to create fresh, singable arrangements that bring joy to choirs and audiences alike.
Why we love this
Shaw pairs two certified American songwriting classics with jazz harmonies that sound sophisticated without demanding advanced vocal technique. The SSA voicing opens these standards to younger or smaller ensembles, and the optional SoundTrax accompaniment keeps the energy swinging without requiring a live rhythm section.
What to expect
Bright, urbane, and unapologetically fun. These arrangements capture the wit and elegance of their original sources while swinging freely with easy charm. Singers feel both the sophistication of jazz voicing and the pure delight of singing beloved melodies.
Who it's for
SSA ensembles at the middle school through college level who want to build confidence with jazz harmony and classic Broadway material. Directors seeking accessible yet musically sophisticated entertainment pieces will find these two songs work equally well in casual settings or formal concerts.
How to get the most out of it
- Let the recorded accompaniment drive the rhythmic pocket; your singers shouldn't fight or rush against it. They'll find their phrasing naturally sits in the groove once they trust the tempo.
- Shape the lyrics with specificity. These songs live on personality and storytelling, so encourage singers to commit emotionally to the playful text.
- Balance the harmonic colors in the middle voices. Shaw's jazz voicings reward clear voice leading, so listen for the inner parts during rehearsal.
How to use it
Pair these standards on a pops concert or cabaret-style event where the charm and humor of each piece can shine. They're also ideal for spring concerts that blend classic Americana with contemporary energy, or as a closing number that sends audiences out smiling.
Skills your students will build
- Reading and singing jazz harmony in functional progressions
- Maintaining steady rhythm and groove against a rhythmic accompaniment
- Blending into jazz voicings with attention to inner-voice balance
- Phrasing and articulation in a swing style
- Connecting character and storytelling to musical interpretation