'S Wonderful with It's De-Lovely! Cover Image

'S Wonderful with It's De-Lovely!: SAB Choral Octavo

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'S Wonderful with It's De-Lovely! Cover Image

'S Wonderful with It's De-Lovely!: SAB Choral Octavo

Words and music by George and Ira Gershwin, Cole Porter / arr. Kirby Shaw

Item: 00-48495

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Description
A delectable duo of old-school Broadway tunes from three masters of American musical theater: the Gershswins and Cole Porter. Enjoy playful lyrics and sweet jazz harmonies in combination with a truly swingin' accompaniment, also available as SoundTrax or rhythm section SoundPax. 'S Wonderful, indeed!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 'S Wonderful with It's De-Lovely!: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081553184
SKU: 00-48495

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw brings decades of choral expertise shaped by formal training in music education, choral composition, and conducting from institutions including San Jose State University and the University of Washington. His work has taken him across North America, Europe, and beyond, where he has built a reputation for blending rigorous musicianship with infectious energy and humor in the rehearsal room.

As a prolific composer and arranger with more than 2,500 works in print, Shaw has established himself as a central voice in American choral music. His arrangements span jazz, pop, and classical idioms and have been performed by choirs worldwide. Beyond writing, Shaw has directed acclaimed vocal jazz ensembles at multiple universities, collaborated with jazz legends including Bobby McFerrin and Al Jarreau, and earned numerous ASCAP awards for his creative output. He continues to direct the Jefferson State Choral Coalition at Southern Oregon University and remains active in both performance and composition.

Why we love this

Shaw has a gift for preserving the swagger and wit of classic Broadway while making the material singable and fun for mixed ensembles. The arrangement captures authentic jazz idiom without requiring your singers to sight-read complex harmonies, and the recorded accompaniment tracks let you focus on phrasing and ensemble blend rather than struggling to keep the rhythm section together.

What to expect

Smart, playful, and swinging. These Gershwin and Cole Porter standards have been lovingly reshaped for three-part mixed voices with jazz harmonies that feel modern and warm. There is joy in the music, a sense of theatrical sophistication, and the kind of rhythmic energy that makes an audience smile before the first phrase even ends.

Who it's for

Mixed choirs working at the intermediate to early advanced level who want to perform accessible, crowd-pleasing repertoire with genuine style. This works equally well for high school show choirs, community and college mixed ensembles, and church choirs looking to step into the Great American Songbook.

How to get the most out of it

  • Anchor the rhythm section parts (available separately as SoundPax) with your strongest rhythmic singers; the swing feel depends on their confidence and lock with the recording.
  • Shape the melodic phrases to highlight the lyrical humor in both tunes; these songs live on personality as much as harmony.
  • Layer in the recorded accompaniment during early rehearsals so singers hear the full jazz context and stylistic expectations from day one.
  • Balance the middle voices (alto lines) carefully in the jazz harmonies; they carry the harmonic color but can easily disappear under the sopranos and tenors.

How to use it

Program this pairing as a concert highlight or pops night centerpiece; two beloved standards performed back-to-back give your audience a coherent set of American musical theater without requiring a large time commitment. The instrumental parts and recorded accompaniment also make this flexible enough for a chamber concert, variety show, or end-of-semester celebration where you want to showcase the singers' ability to nail style and ensemble balance.

Skills your students will build

  • Singing in swing rhythm and maintaining ensemble pulse in jazz time signatures
  • Balancing SAB voice parts in jazz harmonies with secondary dominant and extended chord voicings
  • Interpreting theatrical phrasing and comic timing in lyrics
  • Matching ensemble articulation and tone color to a recorded accompaniment track
  • Understanding the melodic and harmonic conventions of Great American Songbook style

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