One Song Cover Image

One Song: TTBB & Opt. Solo Choral Octavo

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One Song Cover Image

One Song: TTBB & Opt. Solo Choral Octavo

Words by Alan and Marilyn Bergman, music by Marvin Hamlisch / arr. Mark Hayes

Item: 00-45491

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Description
Originally recorded by young R&B star Tevin Campbell on his Grammy-nominated debut album in 1991, this soulful ballad is truly stirring. An optional solo at the opening provides the opportunity to feature a star singer, while solid choral writing throughout leads to an uplifting and inspiring finish.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, One Song: TTBB & Opt. Solo Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081512310
SKU: 00-45491

More about this title

About the Composer: Marvin Hamlisch

Marvin Hamlisch (1944-2012) was a composer and conductor whose career spanned Broadway, film, and concert music. He won three Academy Awards, three Emmy Awards, and a Pulitzer Prize for Drama, establishing himself as one of the most versatile and prolific composers of his generation.

Hamlisch's gift for melody and emotional directness made his work accessible across genres. His compositions for musical theater, film scores, and popular songs demonstrated a deep understanding of how music communicates feeling to broad audiences. Educators value his arrangements and compositions for their clarity of expression and musicality.

Why we love this

Mark Hayes has crafted an arrangement that honors the song's soulful core while giving men's voices the chance to deliver this uplifting message with warmth and conviction. The optional solo creates a natural spotlight moment without overshadowing the collective power of the ensemble, and the progression toward an inspiring finish gives your choir a genuine emotional arc to perform.

What to expect

Soulful and genuine. The piece unfolds like a quiet conversation that gradually builds into something affirming, never sacrificing sincerity for volume. The harmonies are warm and contemporary, rooted in R&B sensibility but grounded in solid choral writing.

Who it's for

This arrangement works well for men's choirs, mixed ensembles with strong lower voice sections, and high school through adult singers who can sustain legit singing and handle the emotional content. It's an excellent choice when you need a secular piece that speaks to unity and hope without requiring youth singers to play a character.

How to get the most out of it

  • Emphasize the legit, sustained tone quality throughout the ballad. This isn't a shouted arrangement; it requires singers to connect each phrase with intention and control.
  • If using the optional solo, ensure the chosen vocalist has both the technical security and interpretive maturity to carry the emotional weight of the opening alone before the choir enters.
  • Shape the harmonic progressions dynamically. Hamlisch's chord movements are sophisticated enough to reward careful attention to voice leading and balance.
  • Use the recorded accompaniment to lock ensemble entrances and feel the harmonic rhythm, which will strengthen internal precision.

How to use it

Program this alongside other contemporary pieces that explore themes of connection and brotherhood, or use it as a reflective moment that contrasts with more energetic selections. Its inspirational message and accessible style make it particularly effective as a concert closer or as the centerpiece of a themed program about peace and unity.

Skills your students will build

  • Balancing legit vocal production in a contemporary idiom
  • Sustaining lines through sophisticated harmonic progressions
  • Interpreting optional solo passages with emotional authenticity
  • Ensemble precision in R&B-influenced choral arranging

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