One Song: SAB & Opt. Solo Choral Octavo
Words by Alan and Marilyn Bergman, music by Marvin Hamlisch / arr. Mark Hayes
Item: 00-PO-0003725
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Marvin Hamlisch
Marvin Hamlisch composed for Broadway, film, and concert halls with equal facility, earning three Academy Awards and four Grammy Awards across his career. His gift for melody and emotional directness made him a natural voice for popular music; "One Song" exemplifies his ability to craft passages that resonate with both contemporary audiences and choral singers seeking material with genuine heart.
Why we love this
Mark Hayes's arrangement honors the song's soulful origins while writing idiomatically for SAB voices, making this accessible without sacrificing musicality. The optional solo frames the piece as a feature opportunity, letting you showcase a strong vocalist while the full choir provides rich harmonic support and a powerful finish.
What to expect
Warm and affirming, with the emotional directness of a contemporary ballad. The piece opens intimately but builds toward moments of genuine uplift, creating a sense of shared purpose and connection that feels earned rather than imposed.
Who it's for
Directors programming concerts around themes of peace, brotherhood, or inspiration will find this piece both musically substantial and accessible to high school or community choirs. The optional solo makes it equally valuable as a feature number for a capable vocalist or as an ensemble statement.
How to get the most out of it
- Balance the opening solo carefully in rehearsal; the soloist should feel supported by a soft choral hum or sustained chord rather than singing entirely unaccompanied.
- Shape the choral sections with attention to the text's message of unity. Avoid rigid block harmony; let phrases breathe and allow dynamics to reflect the emotional arc.
- Work the alto line independently at first. SAB arrangements sometimes ask the middle voice to carry linear interest, and the alto part here deserves clarity.
- Use the recorded accompaniment to establish tempo and feel, but encourage singers to listen to one another rather than lock rigidly to the track during performance.
How to use it
Pair this with other contemporary pop choral arrangements for a modern concert set, or use it as a closing piece for programs centered on unity and social themes. Its 12 pages and moderate length make it an efficient addition to a mixed-voicing repertoire without demanding excessive rehearsal time.
Skills your students will build
- Balancing solo and ensemble textures
- Interpreting contemporary popular music idiomatically
- Sustaining legit vocal production in SAB voicing
- Responding to text-driven dynamic and emotional shaping