One Song Cover Image

One Song: SATB & Opt. Solo Choral Octavo

$2.10 USD
Sale price  $2.10 USD Regular price 
Skip to product information
One Song Cover Image

One Song: SATB & Opt. Solo Choral Octavo

Words by Alan and Marilyn Bergman, music by Marvin Hamlisch / arr. Mark Hayes

Item: 00-45488

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.10
Shipped

One moment…

Description
Originally recorded by young R&B star Tevin Campbell on his Grammy-nominated debut album in 1991, this soulful ballad is truly stirring. An optional solo at the opening provides the opportunity to feature a star singer, while solid choral writing throughout leads to an uplifting and inspiring finish.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, One Song: SATB & Opt. Solo Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081512280
SKU: 00-45488

More about this title

About the Composer: Marvin Hamlisch

Marvin Hamlisch won three Academy Awards and four Grammy Awards during a career spanning Broadway, film, and concert music. His gift for melody and orchestration shaped the sound of 1970s and 1980s popular culture, from *The Way We Were* to *A Chorus Line*. In the classroom and rehearsal hall, his work demonstrates how pop songwriting craft and emotional clarity can coexist with musical substance.

Why we love this

Mark Hayes' arrangement honors the song's soulful DNA while giving choirs the scaffolding they need to sound polished and confident. The optional solo opener creates a natural spotlight moment without forcing a trained soloist, and the progression toward full four-part harmony rewards ensemble singers with genuine musical growth. Programming this piece signals to audiences that your choir values both accessibility and artistic intention.

What to expect

Warm, reflective, and ultimately hopeful. The opening solo invites intimate listening before the choir gradually builds a lush harmonic landscape that feels both modern and timeless. By the final measures, you're in the presence of something genuinely uplifting, not saccharine.

Who it's for

Choirs seeking a contemporary ballad that sits comfortably in the SATB range and rewards both developing and experienced singers. The optional solo feature makes it ideal for programs that want to celebrate individual voices while maintaining ensemble focus.

How to get the most out of it

  • Lead with the vocalist on the optional solo section; if featuring a strong singer, allow them room for interpretive freedom in phrasing and dynamic shaping before the choir enters.
  • Balance the inner voices throughout the middle sections. The arrangement relies on harmonic color, so sopranos and altos should avoid oversinging while tenors and basses lock their foundational support.
  • Shape the final choral section with deliberate crescendo and lift. The uplifting finish works best when the ensemble builds momentum together rather than pushing hard from the start.
  • Use the recorded accompaniment as a rehearsal reference, but encourage singers to respond to the lyrical content with genuine expression rather than mechanical precision.

How to use it

Reserve this for graduation concerts, peace-themed programs, or spring concerts where an emotional arc matters. The blend of contemporary R&B sensibility and choral warmth also works well as a closer on a mixed-repertoire program, leaving audiences with something they recognize and feel.

Skills your students will build

  • Balancing solo and ensemble roles within a single piece
  • Singing sustained harmonies with clear intonation through dynamic shifts
  • Interpreting contemporary popular song idioms in choral context
  • Responding to lyrical content with appropriate phrasing and emotional nuance

You May Also Like