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One Song: Choral Octavo SoundTrax CD

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One Song Cover Image

One Song: Choral Octavo SoundTrax CD

Words by Alan and Marilyn Bergman, music by Marvin Hamlisch / arr. Mark Hayes

Item: 00-45493

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Description
Originally recorded by young R&B star Tevin Campbell on his Grammy-nominated debut album in 1991, this soulful ballad is truly stirring. An optional solo at the opening provides the opportunity to feature a star singer, while solid choral writing throughout leads to an uplifting and inspiring finish.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081512334
SKU: 00-45493

More about this title

About the Composer: Marvin Hamlisch

Marvin Hamlisch (1944-2012) was a three-time Academy Award-winning composer whose gifts lay in crafting emotionally direct, memorable melodies across film, theater, and popular music. His work for "The Way We Were," "The Sting," and "A Chorus Line" demonstrated his ability to write music that moves audiences while remaining architecturally sound. For music educators, Hamlisch's catalog offers repertoire that bridges classical training and contemporary sensibility, making his arrangements accessible to school choirs without sacrificing artistic depth.

Why we love this

Mark Hayes's arrangement captures the intimate vulnerability of the original while giving choral singers something genuinely singable and emotionally rewarding. The optional solo creates a natural spotlight moment without requiring the song to depend on it, and the recorded accompaniment frees your rehearsal time for shaping the choral blend and dynamics rather than drilling parts. This is the kind of piece that reminds students why they join choir in the first place.

What to expect

Warm and hopeful, with the kind of soulful sincerity that feels both intimate and communal. The melody breathes with the phrasing of a skilled vocalist, and the harmonic support beneath it creates a sense of collective emotion rather than technical complexity.

Who it's for

Intermediate to advanced high school and adult community choirs seeking contemporary sacred or secular programming that reaches beyond standard holiday or classical fare. This arrangement works especially well for choirs with strong solo singers who benefit from a featured moment, and for directors building concerts around themes of unity and human connection.

How to get the most out of it

  • Balance the opening solo carefully against the choir entrance; record a rehearsal with the accompaniment and listen back to find the point where the solo naturally hands off to the voices rather than competing with them.
  • Pay attention to the soulful phrasing implied by the R&B origins; avoid metronomic precision in favor of subtle breath-and-release moments that honor the style.
  • Use the recorded accompaniment in sectionals to build confidence, but rehearse without it periodically so singers internalize the harmonic support rather than leaning on it.

How to use it

Pair this with other contemporary choral works to showcase your ensemble's range in the concert second half, or program it as a bridge piece between a classical first act and lighter closing numbers. Its message of connection makes it particularly fitting for spring concerts, unity-themed events, or occasions celebrating collaborative values.

Skills your students will build

  • Phrasing and expressive control in a contemporary R&B style
  • Balancing solo and choral texture
  • Interpreting lyrics with emotional authenticity
  • Singing over a recorded accompaniment with confidence and independence

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