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Let Me Entertain You: SATB Choral Octavo

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Let Me Entertain You: SATB Choral Octavo

From the Musical Gypsy

Lyrics by Stephen Sondheim, music by Jule Styne / arr. Larry Shackley

Item: 00-35797

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Description
During a performance of the Tony-award winning musical Gypsy, this song is presented in many different styles. And our choral arrangement incorporates them all---from an opening 2-beat, to a gentle swing, to a lilting waltz, and then finishes with a raucous kick line! Featured on Showbiz! choral movement DVD (00-35858).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Let Me Entertain You: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081399935
SKU: 00-35797

More about this title

About the Composer: Jule Styne

Jule Styne (1905-1975) composed the scores for some of Broadway's most enduring musicals, including Gypsy, Funny Girl, and Bells Are Ringing. His gift for writing memorable melodies that serve character and story made him a favorite among lyricists and librettists, and his songs have become standards in the American musical theater repertoire. Educators value his work for its theatrical flair, accessibility, and the way his music naturally engages singers of all levels.

Styne's background in both classical training and popular music gave his compositions a sophistication that appeals to both audiences and musicians. His songs demand theatrical commitment and musicality from performers, making them ideal for choral programs that want to develop singers' interpretive skills alongside technical ability.

Why we love this

Larry Shackley's arrangement captures the theatrical essence of this Gypsy showstopper by honoring the song's journey through multiple styles within a single piece. The variety keeps singers engaged and gives your choir the chance to demonstrate range; they'll move seamlessly from a crisp 2-beat feel into a gentle swing, then a lilting waltz, and culminate in an energetic kick line. Programming this gives you a crowd-pleasing Broadway selection with real substance underneath.

What to expect

Pure showmanship. The arrangement captures the character of Gypsy's Rose, a woman who can command a room in any style, and your singers become part of that theatrical transformation. Each section invites the choir to inhabit a different musical world, from intimate and swinging to exuberant and raucous.

Who it's for

Choirs at the intermediate to advanced level who want a Broadway selection that's both entertaining and musically substantial. This works for high school choirs, collegiate ensembles, and community theater groups looking to add theatrical flair to a concert.

How to get the most out of it

  • Shape the rhythmic contrast between sections; the 2-beat opening should feel snappy and direct before softening into the swing. This stylistic clarity helps the arrangement's dramatic arc land with impact.
  • Use the recorded accompaniment to lock in the groove of each section, especially the swing and waltz passages where ensemble precision matters. It also provides a clear model for the stylistic intent.
  • Encourage singers to commit fully to the theatrical energy of the kick line section. This isn't background music; it's a moment for the choir to perform with personality and joy.
  • Balance the movement and staging with clear diction. The arrangement's rhythmic variety demands that text lands cleanly, so rehearse phrasing in each style separately before integrating choreography.

How to use it

Program this as an anchor piece in a Broadway or popular music concert, where its stylistic variety showcases your choir's versatility. It also works beautifully as an act finale or special moment in a musical theater revue. The theatrical energy makes it an excellent choice for spring concerts or end-of-year performances.

Skills your students will build

  • Stylistic flexibility across swing, waltz, and straight rhythm feels
  • Ensemble precision in sectional transitions
  • Theatrical interpretation and character commitment
  • Coordination of singing with staged movement and choreography
  • Diction clarity across rhythmically varied material

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