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I Got Rhythm: SoundTrax Digital Audio Download

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I Got Rhythm Cover Image

I Got Rhythm: SoundTrax Digital Audio Download

Arr. Mark Hayes

Item: 00-A-00014701

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014701

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical music and American popular song in ways no composer before him had achieved. His instinct for melody, harmonic sophistication, and rhythmic vitality transformed jazz idioms into concert works that remain central to the American musical canon. For choral directors, Gershwin's songs offer students direct access to the sounds and sensibilities that defined 20th-century American music.

Gershwin's collaboration with his brother Ira, a lyricist of uncommon wit and craft, produced standards that have outlasted the Broadway shows they came from. Their partnership demonstrates how strong songwriting craft—whether musical or textual—creates work that survives decades of changing taste. "I Got Rhythm" exemplifies their combined genius: a melody so infectious and harmonically inventive that it became a vehicle for jazz improvisation and a test piece for musicians across genres.

Why we love this

Mark Hayes's arrangement captures the swagger and sophistication of Gershwin's original without overwhelming younger singers. The harmonic language stays true to Gershwin's intentions while the voicing sits comfortably for high school and community choirs, making this an ideal entry point for students discovering why this song became a jazz standard. Programming this alongside other Great American Songbook selections builds repertoire knowledge while delivering a performance that genuinely entertains an audience.

What to expect

This arrangement radiates infectious confidence. The melody bounces with Gershwin's signature rhythmic lift, while the harmonies shift underneath with enough color to keep singers engaged without becoming complicated. It feels like a performance that swings rather than a song being performed.

Who it's for

High school and community choirs looking for contemporary, stylistically accessible arrangements of standards will find this rewarding. The vocal ranges and harmonic language work for mixed ensembles without requiring advanced jazz training, making it suitable for directors introducing their choirs to American songbook repertoire and the jazz idioms that shaped it.

How to get the most out of it

  • Establish a relaxed swing feel from the first rehearsal; the rhythm section (if playing instrumental parts) should anchor the groove rather than rushing the tempo.
  • Shape the melody with conversational phrasing instead of making every phrase sound equal. Let the lyrics breathe and the rhythmic hooks land without over-singing them.
  • Balance ensemble tuning in the jazz harmonies by checking chord voicings vertically during warm-up. These extensions can expose pitch issues that straight harmony masks.
  • Release cutoffs crisply and let silence sit between sections. The confidence of a clean cutoff enhances the jazzy character more than a held fermata would.

How to use it

Slot this into a concert celebrating American song or jazz in choral music. It works equally well as a second-half closer that leaves audiences smiling or as part of a themed set with other Gershwin numbers or standards. The familiarity of the melody makes it an excellent program bridge, connecting audiences who know the song to singers discovering why it endures.

Skills your students will build

  • Jazz phrasing and swing rhythm interpretation
  • Reading and singing jazz harmonies and extended chord voicings
  • Stylistic balance between precision and conversational delivery
  • Understanding melody through the lens of Great American Songbook composition

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