I Got Rhythm: Choral SoundPax

Mark Hayes understands that "I Got Rhythm" lives in its syncopation and forward momentum, and this arrangement channels that spirit into a choral setting without flattening it. The combination of driving rhythmic material, accessible voicing, and genuine fun makes this a rare arrangement that directors reach for because singers request it, not because repertoire lists demand it.

Energetic, swinging, and unapologetically joyful. The arrangement captures the wit and rhythmic sophistication of the original while making room for the human voice to shine; you get the feeling that this song was meant to make people move and smile, and it does exactly that.

This works for choirs that can handle rhythmic independence and want an arrangement that feels contemporary without being trendy. High school through adult ensembles will find material that sounds impressive with reasonable rehearsal time, and any group performing jazz, pop, or eclectic concert programming will benefit from the sophisticated grooves Hayes brings to the arrangement.

• Anchor the rhythmic energy in the rhythm section parts; if those lock in place, the choral lines will sit more securely on top of them rather than fighting for the pulse.
• Work syncopated passages in isolation before putting them with the accompaniment, especially any spots where the choir anticipates or lags behind the written beat.
• Balance the melodic material across voice parts carefully; Hayes often distributes the tune, so every section needs to hear how their line contributes to the larger shape.
• Use the recorded accompaniment early in rehearsals to establish the style and energy level, then gradually move away from it so the choir develops independence.

Program this as an opener or early concert segment when you need to establish energy and set a tone that's both accessible and musically substantial. It pairs well with other Great American Songbook standards, bebop-era jazz charts, or contemporary secular pieces, and works equally well in spring concerts, pops programs, or festival setlists where a standout moment with broad appeal serves your programming.

• Reading and executing syncopated rhythmic figures in a choral context
• Maintaining rhythmic independence while blending with other voice parts
• Singing jazz-influenced phrasing and swing articulation
• Balancing individual melodic lines that are distributed across the choir
• Understanding how harmonic movement supports and enhances rhythmic momentum