Good Enough: Piano/Vocal/Chords
Evanescence
Item: 00-PSP-000185
Pickup currently not available
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Description
Titles: Sweet Sacrifice * Call Me When You're Sober * Weight Of The World * Lithium * Cloud Nine * Snow White Queen * Lacrymosa * Like You * Lose Control * The Only One * Your Star * All That I'm Living For * Good Enough.
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More about this title
About the Artist: Evanescence
Evanescence emerged in the early 2000s as a defining voice in alternative rock and nu-metal, blending orchestral arrangements with heavy guitars and Amy Lee's operatic vocals. The band's 2003 debut Fallen achieved massive commercial success, and The Open Door (2006) continued that trajectory by exploring darker themes, Gothic imagery, and more intricate compositional textures. For music students and performers, Evanescence's work offers a bridge between classical music training and contemporary rock production, demonstrating how operatic technique and orchestral thinking apply to modern ensemble and solo contexts.
Why we love this
This folio captures an album that rewards serious musical study. The arrangements demand genuine piano skills alongside vocal control, and the chord progressions and harmonic language give pianists real musical substance to work with rather than simplified pop transcriptions. Performers get to explore how classical vocal training integrates with rock production, making this material genuinely educational even as it connects to contemporary music students care about.
What to expect
Gothic and introspective, with moments of raw power. The arrangements honor the album's atmospheric production while staying grounded in the piano and voice, creating intimacy even in the larger songs. There's a cinematic quality to much of this material; these aren't simple pop tunes, but fully realized compositions with dynamic architecture and emotional depth.
Who it's for
Pianists and vocalists who want to perform contemporary rock music with serious musicality, including high school and college students preparing solos or duets for competitions, recitals, or student concerts. This book works equally well for private studio instructors building a bridge between classical training and popular music, and for singers developing interpretive skills in a genre that demands both technical control and emotional authenticity.
How to get the most out of it
- Balance the vocal melody against the piano part; these arrangements prioritize the song structure over simplified accompaniment, so the piano carries genuine musical weight.
- Pay attention to dynamic shifts within each song. Evanescence's writing often moves between intimate verses and orchestral climaxes, and the piano voicings reflect those contrasts.
- Treat the chord symbols as a guide to harmonic intention rather than a strict roadmap. The given voicings work, but understanding the underlying progression lets you adapt to your vocal range or accompaniment style.
- Layer the arrangements if you have ensemble support available. Many of these songs benefit from added strings, synth, or subtle percussion that mirrors the recorded versions without overwhelming the voice.
How to use it
Feature one or two selections in a contemporary music concert alongside classical or musical theater material to demonstrate stylistic range and appeal to diverse audiences. This book also works beautifully in a recital setting where a student wants to program music meaningful to them while maintaining musical sophistication. The 13 songs provide flexibility to build a thematic set or showcase different facets of the vocalist's artistry across a single program.
Skills your students will build
- Reading and interpreting chord symbols in rock and alternative contexts
- Balancing vocal line against independent piano accompaniment
- Navigating dynamic shifts and sectional contrasts within contemporary arrangements
- Applying classical vocal technique to contemporary and alternative rock repertoire
- Understanding harmonic progressions in minor keys and modal harmony
- Developing interpretive choices in music outside the classical canon