All That I'm Living For Sheet Music Preview

All That I'm Living For: Piano/Vocal/Chords

Evanescence

Item: 00-PSP-000182

Digital Download
$5.99
Description
Alfred is pleased to release the album-matching folio for Evanescence's third record, The Open Door. Released in 2006, The Open Door reached the No. 1 spot on Billboard's Top 200 Chart (2006). This book provides the lyrics along with piano and chord arrangements for all the songs on the record.

Titles: Sweet Sacrifice * Call Me When You're Sober * Weight Of The World * Lithium * Cloud Nine * Snow White Queen * Lacrymosa * Like You * Lose Control * The Only One * Your Star * All That I'm Living For * Good Enough.

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Additional Details
Publisher: Alfred Music
Page Count: 104
SKU: 00-PSP-000182

More about this title

About the Artist: Evanescence

Evanescence emerged in the early 2000s with a sound that blended gothic rock, metal, and orchestral elements, anchored by Amy Lee's distinctive alto voice and the band's layered instrumental arrangements. The Open Door, released in 2006, solidified their position as major figures in alternative rock, reaching No. 1 on the Billboard 200 and showcasing the band's evolution toward more complex songwriting and production.

Why we love this

This folio captures songs that sit perfectly at the intersection of accessible rock repertoire and genuine musical sophistication. The album's keyboard-driven arrangements translate beautifully to piano, offering vocalists and accompanists material with real emotional weight and harmonic interest beyond typical pop-rock fare.

What to expect

These songs inhabit a space between vulnerability and intensity, built on cinematic arrangements where piano and voice intertwine with orchestral sensibility. The emotional range spans from introspective ballads to driving rock anthems, all grounded in the distinctive gothic-romantic aesthetic that defined the mid-2000s alternative scene.

Who it's for

Singers developing taste in contemporary rock repertoire, pianists seeking material that demands both technical control and interpretive sensitivity, and music programs aiming to include modern alternative rock in their performance offerings. This collection works well for voice and piano coaching, recital programming, or ensemble arrangements.

How to get the most out of it

  • Pay close attention to the sustain pedal markings; these songs rely on layered textures and atmospheric resonance rather than constant motion.
  • Balance the vocal line against dense left-hand figures. Many of these arrangements feature intricate piano parts that shouldn't overshadow the lyrics.
  • Use the chord symbols as a guide for interpretation. Amy Lee's vocal phrasing often sits slightly ahead of or behind the beat, so flexibility in accompaniment matters.
  • Explore the minor key tonalities and modal shifts throughout the album; they define the emotional arc of individual songs and should be brought forward in your playing.

How to use it

Consider programming one or more of these songs in a contemporary music concert alongside other 2000s-era rock material, or feature them in a voice recital that explores the emotional depth available in modern pop-rock. The full album folio also works as a cohesive thematic unit for a vocalist building a full-length recital around alternative rock repertoire.

Skills your students will build

  • Reading and interpreting rock chord symbols in context
  • Balancing vocal phrasing against accompaniment patterns in contemporary styles
  • Sustain pedal technique and managing harmonic resonance
  • Navigating minor keys and modal harmonic structures
  • Accompaniment flexibility and responding to non-metronomic vocal phrasing

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