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Chop-Monster, Book 1: Trumpet 3 Book

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Chop-Monster, Book 1 Cover Image

Chop-Monster, Book 1: Trumpet 3 Book

By Shelly Berg

Item: 00-251018

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Description
Chop-Monster is a sequential jazz improvisation method by acclaimed jazz pianist and educator Shelly Berg that utilizes a "call-and-response" approach: students listen to a jazz idea, imitate it until it is internalized, and then "try it on their own." In Chop-Monster 1, students will hear and improvise to the Ima7, iimi7, and V7 chords in the key of B-flat, plus a basic blues progression. In Chop-Monster 2 students will hear and improvise to the ii-V-I progression in three keys (concert B-flat, E-flat, F).

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Additional Details
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-2932-0
ISBN13: 978-0-7390-2932-9
UPC: 038081212432
SKU: 00-251018
Instrumentation: Trumpet 3

More about this title

About the Author: Shelly Berg

Shelly Berg

Shelly Berg is a pianist whose technical command and harmonic sophistication have earned recognition from jazz icons like Dave Brubeck. His career spans performance, composition, and orchestration across film, television, and concert music for major studios including Warner Bros., Fox, and NBC.

Berg has shaped jazz education as Chair of Jazz Studies at the Thornton School of Music at the University of Southern California and as Past President of the International Association for Jazz Education. Beyond his work as a performer and composer, he has developed pedagogical resources that translate his deep understanding of jazz language into learnable, sequential materials for students.

Why we love this

Chop-Monster Book 1 gives trumpet 3 players a structured entry point into jazz improvisation without sacrificing musicality. The call-and-response method builds ear training and internalization simultaneously, so students aren't just learning patterns but developing the instincts of an improviser.

What to expect

The call-and-response format creates a conversation between teacher and student, making improvisation feel conversational rather than intimidating. You'll work through quartal harmonies and blues language in a way that develops muscle memory and ear training at the same time.

Who it's for

Trumpet 3 players in high school or college jazz ensembles who are ready to develop improvisation skills from the ground up. This book works best for students with solid fundamental technique who want a systematic method for learning to play over jazz chords rather than simply reading changes.

How to get the most out of it

  • Listen to the recorded jazz idea multiple times before attempting to replicate it; let your ear absorb the phrasing and inflection first.
  • Start by imitating the recorded response exactly, matching the articulation and rhythmic nuances you hear, not just the notes.
  • When you move to improvising on your own, reference the shapes and approaches you've internalized from the call-and-response cycle rather than overthinking individual chord changes.
  • Work through the progressions slowly at first; speed and confidence in the harmonic framework will follow as the sounds become muscle memory.

How to use it

Assign this as part of jazz ensemble rehearsal preparation or private lessons to build a cohort of improvisers who can take solos confidently. Alternately, run call-and-response exercises during ensemble warm-up to build the ensemble's collective listening skills and harmonic awareness.

Skills your students will build

  • Identifying and internalizing Imaj7, iim7, and V7 chord qualities by ear
  • Transcribing and imitating jazz phrasing and articulation
  • Improvising simple lines over major 7, minor 7, and dominant 7 chords
  • Playing a basic blues progression with navigational confidence
  • Building call-and-response fluency as a pathway to spontaneous improvisation

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