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Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: 2nd Trombone Book

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Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: 2nd Trombone Book

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Description
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.

This collection is written for full instrumentation---five saxophones, three trumpets, three trombones, and four rhythm---but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.

The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.

Titles include:
"Bill Bailey, Won't You Please Come Home," "Birth of the Blues," "Embraceable You," "First Time Around," "Gospel," "Hot Chocolate," "Jazzmin Tea," "Jingle Bell Rock," "Poco Loco," "Splanky," "Sunday Morning," "TMI" This title is available in MakeMusic Cloud.

Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: 2nd Trombone Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: First Year Charts Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-4598-9
ISBN13: 978-0-7390-4598-5
UPC: 038081302508
SKU: 00-26913
Instrumentation: 2nd Trombone

More about this title

Why we love this

This collection gives second trombone players genuine responsibility across twelve distinct arrangements, not just harmonic filler. The variety of styles (swing, Latin, ballad, waltz, holiday, pop) means your section gets exposed to real jazz vocabulary and ensemble textures without overwhelming young players.

What to expect

You move between upbeat swing grooves, smooth ballads, Latin grooves, and holiday fun across twelve charts, each one offering a different sonic mood. The trombone section gets to lock in tight voicings, support the soloists, and play rhythmically written parts that feel genuinely musical, not like you're just counting rests.

Who it's for

Trombone players in their first year of jazz ensemble experience who read confidently in treble clef and understand basic jazz articulation. This book suits ensembles building their jazz library with flexible instrumentation, since the collection functions well with reduced sections or optional parts.

How to get the most out of it

  • Blend your tone with the first trombone and bass trombone during tutti sections; the three-part trombone voicing is central to the ensemble's sound.
  • Study the chord changes notated in the rhythm section parts to understand the harmonic movement beneath your line, even though your part is written out.
  • Mark breath points that work with the phrasing of the first trombone, especially in the ballads and swing tunes where legato lines need continuity.
  • Work the written-out solos as if they were transcribed solos from a recording; commit to the articulation and phrasing indicated on the page.

How to use it

Rotate one chart per rehearsal or every other rehearsal throughout the jazz season, building toward a full concert where your ensemble can perform several contrasting pieces. The variety of tempos and styles makes this collection work as a complete jazz recital program, or you can extract individual tunes to pair with classical or pops concerts.

Skills your students will build

  • Reading jazz articulation and style markings (swing eighths, staccato, legato in jazz context)
  • Voicing blend in three-part trombone writing
  • Rhythmic precision in swing and Latin grooves
  • Interpreting written-out solos with jazz inflection and phrasing
  • Understanding chord progression and harmonic function in jazz
  • Balancing solo and section roles within ensemble texture

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