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Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: 1st B-flat Tenor Saxophone Book

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Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: 1st B-flat Tenor Saxophone Book

Item: 00-26906

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Description
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.

This collection is written for full instrumentation---five saxophones, three trumpets, three trombones, and four rhythm---but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.

The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.

Titles include:
"Bill Bailey, Won't You Please Come Home," "Birth of the Blues," "Embraceable You," "First Time Around," "Gospel," "Hot Chocolate," "Jazzmin Tea," "Jingle Bell Rock," "Poco Loco," "Splanky," "Sunday Morning," "TMI" This title is available in MakeMusic Cloud.

Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: 1st B-flat Tenor Saxophone Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: First Year Charts Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-4591-1
ISBN13: 978-0-7390-4591-6
UPC: 038081302430
SKU: 00-26906
Instrumentation: 1st B-flat Tenor Saxophone

More about this title

Why we love this

Twelve carefully chosen arrangements give your first-year jazz ensemble real repertoire variety without overwhelming young players. The written-out improvisation sections let saxophonists focus on style and ensemble blend while building confidence, and the flexible instrumentation means you're not locked into a single saxophone section size.

What to expect

Twelve different moods unfold across this book: the easy swing of standards like "Bill Bailey," the Latin groove of "Poco Loco," the warmth of "Gospel," and the holiday energy of "Jingle Bell Rock." Each chart lets the tenor saxophone breathe within the ensemble, never buried but never overexposed.

Who it's for

First-year jazz saxophonists ready to move beyond exercise books into genuine jazz literature. This collection works for high school jazz bands, middle school programs stepping up to full repertoire, and private studio teachers building jazz vocabulary with individual students.

How to get the most out of it

  • Study the rhythm section suggestions in your part; they show you exactly what the piano and guitar are comping, which anchors your entrances and helps you lock into the groove.
  • In the ballads and swing tunes, listen for the walking bass line to understand where the harmonic movement sits, especially during written-out solo sections.
  • Mark your breath points clearly before rehearsal so you don't create accidental phrase breaks that disrupt the flow of ensemble lines.

How to use it

Program these across your concert calendar: use the holiday chart for your winter concert, drop a ballad into a spring showcase, and build a full jazz set around the swing and Latin numbers for a dedicated jazz concert. Their brevity and accessibility also make them ideal for jazz festival repertoire or reading sessions without requiring months of preparation.

Skills your students will build

  • Reading and executing written-out improvisation sections
  • Matching articulation and phrasing to swing, Latin, and ballad styles
  • Listening to rhythm section voicings and harmonic suggestions to stay grounded
  • Maintaining ensemble blend while playing idiomatic saxophone lines
  • Sight-reading jazz chord changes and rhythmic figures across multiple tempos and meters

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