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Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: E-flat Baritone Saxophone Book

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Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: E-flat Baritone Saxophone Book

Item: 00-26908

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Description
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.

This collection is written for full instrumentation---five saxophones, three trumpets, three trombones, and four rhythm---but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.

The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.

Titles include:
"Bill Bailey, Won't You Please Come Home," "Birth of the Blues," "Embraceable You," "First Time Around," "Gospel," "Hot Chocolate," "Jazzmin Tea," "Jingle Bell Rock," "Poco Loco," "Splanky," "Sunday Morning," "TMI" This title is available in MakeMusic Cloud.

Best of Belwin Jazz: First Year Charts Collection for Jazz Ensemble: E-flat Baritone Saxophone Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: First Year Charts Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-4593-8
ISBN13: 978-0-7390-4593-0
UPC: 038081302454
SKU: 00-26908
Instrumentation: E-flat Baritone Saxophone

More about this title

Why we love this

This collection gives baritone sax players genuine ownership of the ensemble sound from day one. Rather than doubling bass lines or filling harmonic gaps, baritone saxes carry melody, anchor solos, and define the groove across twelve distinct arrangements that span swing, Latin, ballad, and holiday styles. The written-out improvisation sections remove the intimidation factor while still building real jazz vocabulary.

What to expect

Twelve snapshots of classic and original jazz moods: the nostalgia of "Bill Bailey" and "Jingle Bell Rock," the blues feeling of "Birth of the Blues," the groovy Latin pocket of "Poco Loco," the spiritual warmth of "Gospel." Each arrangement invites baritone sax into the conversation with parts that matter musically, never feeling like an afterthought.

Who it's for

First-year jazz ensemble players on baritone sax who are ready to move beyond fundamentals into real ensemble literature. This is ideal for middle school or young high school jazz programs building their repertoire and confidence across multiple styles in one focused collection.

How to get the most out of it

  • Balance your tone with the tenor and alto saxes in unison passages; your warmth anchors the section without overpowering it.
  • Lock into the rhythm section during swing feels by playing just slightly behind the beat, letting the walking bass and drums breathe.
  • In ballads and the waltz, shape phrases with the same care you'd bring to a concert band solo; these charts reveal how much emotion baritone can deliver.

How to use it

Use this as your spring jazz concert cornerstone; twelve titles give you options for opening sets, features, or a medley arc that takes the audience through multiple moods in one program. The variety in styles and tempos also works beautifully for teaching jazz phrasing, interpretation, and section blend throughout a semester.

Skills your students will build

  • Reading jazz notation, articulation, and swing rhythms
  • Playing jazz ostinatos and responding to rhythm section grooves
  • Improvisation from written solo frameworks
  • Balancing tone and intonation within a saxophone section
  • Phrasing and interpretation across swing, Latin, ballad, and waltz feels

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