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Band Today, Part 1: E-flat Baritone Saxophone Book

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Band Today, Part 1 Cover Image

Band Today, Part 1: E-flat Baritone Saxophone Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00029

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Description
A band method for full band classes, like instrument classes, or individual instruction. Band Today is the basic method book of the Contemporary Band Course. The Contemporary Band Course is a complete curriculum of instructional material for the development of an outstanding band course. Correlated with Band Today are supplementary technic books, rudimentary theory books, ensembles and ensemble books, individual band arrangements, program band books, and instrumental solos.

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2470-9
ISBN13: 978-0-7692-2470-1
UPC: 029156070613
SKU: 00-CBC00029
Instrumentation: E-flat Baritone Saxophone

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has authored over 800 published works and shaped music education through the Contemporary Band Course, now distributed by Alfred Music. His pedagogical philosophy reflects decades of hands-on teaching in public schools combined with extensive clinical work at the college and university level. Ployhar studied composition at California State University-Long Beach under Morris Hutchings Ruger and benefited from orchestration mentorship with Knud Havalde of the Danish Royal Philharmonic Orchestra.

His contributions to band music have earned recognition including the National Band Association Citation of Excellence and the Distinguished Alumnus Award from Valley City State University. The Contemporary Band Course has been translated into French and Norwegian, with widespread adoption throughout Scandinavia and performances of his work documented across Europe, Japan, and the Pacific Rim. Ployhar's involvement with the American Bandmasters Association and his conducting appearances across the United States, Canada, and Europe underscore his influence on contemporary band pedagogy.

Why we love this

This book launches baritone saxophonists with a method designed by someone who understands how students actually progress from day one. Ployhar's 32-page approach gives you a focused, manageable pathway without overwhelming students with excessive material; the carefully sequenced exercises and pieces keep engagement high while building foundational skills methodically.

What to expect

Straightforward and encouraging. The material unfolds logically, introducing new ranges and rhythmic concepts at a pace that builds confidence without creating frustration. Students experience early success with simple melodies before tackling ensemble coordination.

Who it's for

First-year baritone saxophone students in full band settings and individual instruction. This book works equally well for students beginning on baritone sax or transitioning from another instrument.

How to get the most out of it

  • Build tone production before speed. Ployhar sequences material to emphasize steady air support and clear articulation on longer note values before introducing rapid passages.
  • Use the included exercises as daily warm-up material rather than one-time assignments. Returning to earlier pages reinforces embouchure consistency across the range.
  • Play along with the full band arrangements when available to hear how baritone sax voices within the section. This contextual learning solidifies intonation and blend.

How to use it

Implement this as your primary method for baritone sax instruction during the first year or first semester of band. Its 32-page structure fits neatly into a semester of focused skill development, allowing you to layer supplementary technique books and ensemble materials from the Contemporary Band Course as students progress.

Skills your students will build

  • Basic tone production and embouchure formation on E-flat baritone saxophone
  • Reading in treble clef with ledger lines extending into the upper register
  • Rhythmic accuracy in whole, half, quarter, and eighth notes with rests
  • Low register fingering and intonation control
  • Articulation techniques using single tonguing
  • Breathing placement and phrase structure
  • Basic dynamics and style markings in ensemble context

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