Band Today, Part 1 Cover Image

Band Today, Part 1: Bells Book

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Band Today, Part 1 Cover Image

Band Today, Part 1: Bells Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00039

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Description
A band method for full band classes, like instrument classes, or individual instruction. Band Today is the basic method book of the Contemporary Band Course. The Contemporary Band Course is a complete curriculum of instructional material for the development of an outstanding band course. Correlated with Band Today are supplementary technic books, rudimentary theory books, ensembles and ensemble books, individual band arrangements, program band books, and instrumental solos.

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2803-8
ISBN13: 978-0-7692-2803-7
UPC: 029156190144
SKU: 00-CBC00039
Instrumentation: Bells

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped music education through prolific composition and curriculum design, with over 800 published works to his name. His orchestration studies with Knud Havalde of the Danish Royal Philharmonic Orchestra informed his approach to band writing, and his music has been performed across Europe, Japan, and the Pacific Rim. Beyond composition, Ployhar brought nineteen years of public school teaching experience to his work, later extending his influence through clinician appearances and university workshops throughout North America and Europe.

The Contemporary Band Course stands as Ployhar's most enduring contribution to music education. Now published by Alfred Music and translated into French and Norwegian, the curriculum has become standard in band programs worldwide, particularly throughout Norway. Ployhar holds degrees from Valley City State University and Northern Colorado University, with graduate composition study at California State University-Long Beach. His recognition includes the National Band Association Citation of Excellence, the Distinguished Alumnus Award, and membership in the American Bandmasters Association.

Why we love this

The Bells Book anchors your band's keyboard section with material that integrates seamlessly into the larger Contemporary Band Course framework. Ployhar's pedagogical clarity means bells students stay engaged with the full ensemble rather than working in isolation, building part awareness and rhythmic independence from day one.

What to expect

The material unfolds gradually, building confidence through repetition and incremental technical demands. Students encounter melodies that sound musical even at early stages, creating the satisfaction of making real music rather than drilling exercises.

Who it's for

This book serves bells students in full band classes, beginners taking individual lessons on bells, or newer players who need a systematic introduction to the instrument. It works equally well for classroom band programs and private instruction settings.

How to get the most out of it

  • Work through passages hands separately before combining, especially in the early pages where coordination between sticks and feet matters most.
  • Use a consistent grip and height at the bell stand so students develop muscle memory for accurate mallet placement.
  • Encourage students to listen for their entrances in band context, not just follow written cues, to strengthen their sense of ensemble timing.
  • Mark dynamic and articulation changes clearly in pencil so students see them as integral to musical shape, not afterthoughts.

How to use it

Use this as the primary text for all bells students in your band program, pacing it alongside the woodwind and brass books from Band Today so your entire ensemble advances together. The 32-page format allows you to move through it over one or two semesters depending on your rehearsal schedule and student starting level.

Skills your students will build

  • Basic mallet grip and fundamental stick control
  • Reading treble clef with accuracy in quarter note and eighth note rhythms
  • Playing simple melodies and rhythmic patterns with consistent tone
  • Coordinating hands and feet for bell stand setup
  • Understanding dynamic markings and applying them to performance
  • Ensemble awareness and listening to balance with other band voices

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