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Band Today, Part 1: Auxiliary Percussion (Tambourine, Wood Block, Triangle, Claves, Maracas, Suspended Cymbal & Sleigh Bells) Book

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Band Today, Part 1 Cover Image

Band Today, Part 1: Auxiliary Percussion (Tambourine, Wood Block, Triangle, Claves, Maracas, Suspended Cymbal & Sleigh Bells) Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00038

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Description
A band method for full band classes, like instrument classes, or individual instruction. Band Today is the basic method book of the Contemporary Band Course. The Contemporary Band Course is a complete curriculum of instructional material for the development of an outstanding band course. Correlated with Band Today are supplementary technic books, rudimentary theory books, ensembles and ensemble books, individual band arrangements, program band books, and instrumental solos.

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7579-2556-1
ISBN13: 978-0-7579-2556-6
UPC: 029156040746
SKU: 00-CBC00038
Instrumentation: Auxiliary Percussion (Tambourine, Wood Block, Triangle, Claves, Maracas, Suspended Cymbal & Sleigh Bells)

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped instrumental music education through more than 800 published compositions and arrangements. His career spans two decades of classroom teaching, extensive university clinics, and work alongside master orchestrators including Knud Havalde of the Danish Royal Philharmonic. The Contemporary Band Course, now published by Alfred Music, stands as his most enduring contribution to band pedagogy and remains in active use across multiple countries including Norway, where it was adopted at the national level.

Academically trained at Valley City State University, Northern Colorado University, and California State University-Long Beach (where he studied composition), Ployhar has earned recognition from the National Band Association with its Citation of Excellence. His music has been performed internationally and broadcast on network television. His leadership as a clinician and conductor has taken him throughout North America and Europe, establishing him as a trusted voice in contemporary band education.

Why we love this

Ployhar designed this book with auxiliary percussion as the focus, not as an afterthought. Students learning these instruments get dedicated instruction and meaningful repertoire from someone who understands how percussion fits into the full band sound. The book's integration with the broader Contemporary Band Course means percussion students can participate fully in ensemble reading from day one rather than sitting out while pitched instruments get started.

What to expect

Working through this book reveals the rhythm and color that auxiliary percussion brings to band music. Each instrument has its own voice: the bright crack of the wood block, the shimmer of the suspended cymbal, the jingle of sleigh bells. Students discover that these aren't decorative sounds but essential textural elements that shape the band's overall character.

Who it's for

This book serves beginning auxiliary percussionists in middle or high school concert bands and instrument classes, as well as students receiving private instruction on these specific percussion instruments. Teachers using the full Contemporary Band Course will find this the natural counterpart for any student assigned to auxiliary percussion rather than snare drum, bass drum, or mallets.

How to get the most out of it

  • Establish clear stick control before introducing the instruments themselves. Have students practice basic mallets and hand techniques on practice pads so they build muscle memory for consistent tone and technique.
  • Coordinate with pitched instrument rehearsals to ensure percussion students understand their rhythmic role within the full band texture, not just their individual part.
  • Use the variety of instruments to assign students at different ability levels within the same percussion section, allowing peer learning and differentiation.
  • Isolate rhythmic patterns and practice them as a percussion ensemble before adding them to band arrangements, building confidence and precision.

How to use it

Start auxiliary percussionists with this book alongside your band's first-year repertoire so they can participate in full ensemble reading from the beginning of the course. The 32-page scope lets you pace instruction across an entire semester or year, building proficiency gradually. Cross-reference material here with the full band method book to ensure your percussion students develop the same foundational concepts as their bandmates on pitched instruments.

Skills your students will build

  • Basic technique and grip on tambourine, wood block, triangle, claves, maracas, suspended cymbal, and sleigh bells
  • Reading rhythm notation in common band time signatures
  • Matching tone quality and dynamics to the ensemble sound
  • Understanding role and function of auxiliary percussion within concert band texture
  • Coordination and rhythmic precision with the full band

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