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Band Today, Part 1: B-flat Tenor Saxophone Book

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Band Today, Part 1 Cover Image

Band Today, Part 1: B-flat Tenor Saxophone Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00028

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Description
A band method for full band classes, like instrument classes, or individual instruction. Band Today is the basic method book of the Contemporary Band Course. The Contemporary Band Course is a complete curriculum of instructional material for the development of an outstanding band course. Correlated with Band Today are supplementary technic books, rudimentary theory books, ensembles and ensemble books, individual band arrangements, program band books, and instrumental solos.

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-5582-5
ISBN13: 978-0-7692-5582-8
UPC: 029156044607
SKU: 00-CBC00028
Instrumentation: B-flat Tenor Saxophone

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped music education through over 800 published works, establishing himself as a cornerstone voice in contemporary band pedagogy. His composition studies under Morris Hutchings Ruger at California State University-Long Beach and his collaboration with orchestration master Knud Havalde of the Danish Royal Philharmonic informed a career that spans two decades of public school teaching, university-level clinics, and international conducting appearances across North America and Europe.

The Contemporary Band Course, now published by Alfred Music, stands as Ployhar's most enduring contribution to instrumental instruction, translated into French and Norwegian and adopted in school systems worldwide. His work has been performed internationally and broadcast on network television, while his service to the profession earned him the National Band Association Citation of Excellence and recognition as a Distinguished Alumnus of Valley City State University.

Why we love this

Band Today has proven itself across decades because it balances sequential skill development with genuine musicality from the very first page. Ployhar understands what beginning saxophonists need to hear and play in order to stay engaged, and he builds technical competency without sacrificing the joy of making sound together.

What to expect

The pages move with purpose and clarity, introducing fundamental fingering patterns and rhythmic concepts without overwhelming the emerging saxophonist. There's a straightforward, encouraging quality to the progression that allows students to experience early success while building the reading fluency and technical foundation required for genuine ensemble participation.

Who it's for

Beginning tenor saxophonists in concert band classes, instrument-specific instruction, or private studio settings will find this book provides the essential vocabulary and technique they need to participate confidently in a full ensemble. Teachers designing their first- or second-year band curriculum benefit from material that develops individual competency while preparing students to blend immediately into the full band sound.

How to get the most out of it

  • Establish consistent embouchure control early by having students voice the vowel shapes (oh, ah, ee) while playing long tones, reinforcing the oral cavity's role in pitch stability and tone quality.
  • Work rhythmic patterns at a steady, comfortable tempo before introducing new note combinations; rushing through examples compromises both accuracy and the student's confidence in reading ahead.
  • Use call-and-response exercises between the method book parts to build listening skills and reinforce that ensemble balance depends on every voice matching dynamics and articulation.

How to use it

Pair this book with the full Contemporary Band Course curriculum to create a cohesive first-year program in which all saxophone players develop at the same pace. The method's design allows for concurrent use alongside beginning pieces in your concert band repertoire, ensuring that students reinforce what they learn in sectionals when they read their parts in full arrangements.

Skills your students will build

  • Reading ledger lines and the treble clef staff in the alto clef range appropriate to tenor saxophone
  • Fundamental fingering patterns and embouchure control for steady tone production
  • Basic rhythmic patterns including whole, half, quarter, and eighth notes in simple meter
  • Breath control and phrasing in scales and short melodic passages
  • Concert pitch transposition from written B-flat notation
  • Articulation clarity and consistency in scale passages and melodic exercises

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