When I Fall In Love Sheet Music Preview

When I Fall In Love: Lead Sheet

Item: 00-PSL-000337

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Description
The Just Standards Real Book contains 250 classic songs, from show tunes to jazz standards, that are the core required repertoire for musicians all over the world. Production teams in both the U.S. and the U.K. took great care to ensure the accuracy and usability of each arrangement and original composer sources were consulted to ensure that the arrangements remained true to the composers' intentions. Plus, useful and important chord substitutions are indicated for each arrangement, allowing the user to pick from the original chords or the more popular jazz versions. Each book in the series is extensively cross-referenced with a complete composer index, discography of suggested recorded versions for each song, a section on how to play from a fakebook, chord theory reference pages, and a section on how to create interesting chord substitutions. Comb bound, approx. 400 pages.

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Additional Details
Series: Just Real Books Series
Publisher: Alfred Music
Page Count: 416
SKU: 00-PSL-000337

More about this title

About the Composer: Edward Heyman

Edward Heyman (1907-1981) was an American lyricist and songwriter whose career spanned radio, film, and popular music from the 1930s through the 1960s. He collaborated with major composers including Victor Young, Duke Ellington, and Arthur Schwartz, crafting lyrics that became standards of the American songbook. His gift for memorable melodies paired with singable, emotionally direct lyrics made his work a cornerstone of jazz and popular repertoire that musicians continue to interpret today.

Heyman's compositions appear throughout jazz curricula and real books worldwide because of their harmonic sophistication and enduring melodic appeal. His work defined an era when songwriting craftsmanship was paramount, and his standards remain teaching tools for understanding song form, lyrical phrasing, and jazz interpretation.

Why we love this

This lead sheet gives you a standard that demands harmonic literacy and interpretive maturity from your musicians. The arrangement respects the original while offering chord substitutions that let players explore jazz reharmonization in real time, making it ideal for developing improvisation and comping skills in jam sessions or small ensemble rehearsals.

What to expect

Romantic and introspective without sentimentality, this ballad opens with warmth and settles into a contemplative space. The harmonic movement has gentle surprise; it invites both straight interpretations and adventurous reharmonization, depending on your ensemble's taste and experience level.

Who it's for

Jazz musicians, pianists, guitarists, and bandleaders working from lead sheets in combo settings, jam sessions, or jazz ensemble rehearsals. This works equally well for players developing sight-reading fluency with real book standards and for experienced musicians building a working repertoire of tunes they can call at any session.

How to get the most out of it

  • Experiment with the chord substitutions provided before settling on voicings; alternating between the original and jazz versions reveals how the song's emotional landscape shifts with harmonic color.
  • Pay attention to the form and phrase structure so comping and soloing stay anchored to the song's architecture rather than drifting into generic vamp patterns.
  • Reference the discography section to listen to multiple recorded interpretations; this builds your vocabulary for phrasing, time feel, and rhythmic interpretation.
  • Balance the melody line with sensitive accompaniment; this standard rewards restraint and space as much as it rewards energy.

How to use it

Feature this in a jazz combo concert or standards night where it can anchor a set of ballads and mid-tempo pieces. It also serves as a reference tune for teaching harmonic analysis and chord substitution in jazz history or improvisation courses.

Skills your students will build

  • Reading lead sheets and developing comping from chord symbols
  • Harmonic analysis and chord substitution techniques
  • Ballad interpretation and phrasing sensitivity
  • Solo construction over changes with clear form awareness
  • Listening and transcription (using the discography as a reference guide)

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