Temptation: Lead Sheet
Item: 00-PSL-000151
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Description
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More about this title
About the Composer: Nacio Herb Brown
Nacio Herb Brown (1896-1964) was a prolific composer who shaped the sound of early Hollywood musicals. Working alongside lyricist Arthur Freed, Brown created some of the most enduring standards of the 1920s and 1930s, including "Singin' in the Rain" and "You Were Meant for Me." His melodies are known for their singability and harmonic sophistication, making them central to the jazz repertoire.
Brown's gift for writing memorable yet harmonically interesting material has made his songs staples in jazz education and performance. Musicians return to his compositions again and again because they reward both careful listening and creative improvisation.
Why we love this
This lead sheet gives you access to one of Brown's most swingable standards in a real book that treats accuracy seriously. The Just Standards edition consulted original sources to preserve the composers' harmonic intentions while also including the chord substitutions that working jazz musicians actually use. You get both the architecture of the tune and the practical flexibility modern players expect.
What to expect
Temptation captures the sophisticated charm of early Hollywood songwriting, with a melody that draws you in and harmonic movement that keeps your ears engaged. The tune has an elegance that sits somewhere between popular song and jazz composition, making it equally at home in a show context or a jazz club.
Who it's for
Jazz musicians working from fakebooks, whether in combo or big band settings, will find this lead sheet in a collection designed for serious use. It serves vocalists, soloists, and rhythm section players who need both reliability and professional-level harmonic detail.
How to get the most out of it
- Listen closely to the original composed changes before exploring substitutions; understanding the harmonic foundation makes substitutions meaningful rather than arbitrary.
- Pay attention to the melody's phrasing over the chord changes, especially where Brown places chord movements to support the lyrical shape.
- Experiment with the suggested substitutions in a practice setting first to hear how they shift the color and tension of the tune.
- Use the discography section to hear how different eras and styles of players have interpreted this standard.
How to use it
Feature this standard in a jazz evening program alongside other Brown-Freed classics to showcase a composer's influence on American jazz repertoire. It works well as a trio feature, a vocalist vehicle, or a big band arrangement where the harmonic detail can really shine.
Skills your students will build
- Recognizing and applying chord substitutions in classic jazz changes
- Reading fakebook notation and implied performance conventions
- Understanding the relationship between composed melody and harmonic movement
- Developing improvisation strategies on standards with rich chord progressions