Blue Moon Sheet Music Preview

Blue Moon: Lead Sheet

Item: 00-PSL-000168

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Description
The Just Standards Real Book contains 250 classic songs, from show tunes to jazz standards, that are the core required repertoire for musicians all over the world. Production teams in both the U.S. and the U.K. took great care to ensure the accuracy and usability of each arrangement and original composer sources were consulted to ensure that the arrangements remained true to the composers' intentions. Plus, useful and important chord substitutions are indicated for each arrangement, allowing the user to pick from the original chords or the more popular jazz versions. Each book in the series is extensively cross-referenced with a complete composer index, discography of suggested recorded versions for each song, a section on how to play from a fakebook, chord theory reference pages, and a section on how to create interesting chord substitutions. Comb bound, approx. 400 pages.

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Additional Details
Series: Just Real Books Series
Publisher: Alfred Music
Page Count: 416
SKU: 00-PSL-000168

More about this title

About the Composer: Lorenz Hart

Lorenz Hart (1895-1943) was a lyricist whose wit, conversational language, and sophisticated rhyme schemes transformed American musical theater. Partnering with composer Richard Rodgers from 1919 onward, Hart crafted lyrics that elevated the Broadway song from decorative interlude to essential storytelling device. His work established standards that jazz musicians and vocalists still return to today, and his influence on how lyrics and melody interact remains central to music education.

Why we love this

Blue Moon is one of those essential standards that appears in every working musician's repertoire, and this lead sheet captures it with meticulous attention to the original composer intent. The Just Standards series consulted original sources to ensure authenticity, then added practical chord substitutions so players can choose between the pure version and the jazz variations they'll hear in real performances. Having this single tune alongside the book's cross-referenced resources and chord theory pages means students see not just the song, but how it fits into the larger vocabulary of jazz standards.

What to expect

Blue Moon carries a wistful, romantic quality rooted in the song's history as a wistful ballad. The melody unfolds with the conversational ease Hart brought to all his lyrics, making it feel intimate even at a distance. Whether played straight or with jazz variations, the tune retains an elegance that rewards both straightforward interpretation and creative reharmonization.

Who it's for

Jazz musicians reading lead sheets, vocalists building a standards repertoire, and instrumental improviserswho need reliable sources for chord changes. This works equally well for a pianist finding comping voicings, a saxophonist improvising melodies, or a vocalist preparing arrangements.

How to get the most out of it

  • Study both the original chord changes and the suggested substitutions before deciding which version serves your arrangement; many ensembles blend elements from each
  • Listen to the recorded versions listed in the discography to internalize how different musicians interpret the phrasing and where they take liberties with the melody
  • Use the chord theory reference pages in the full book to understand why certain substitutions work, so you can make informed decisions about reharmonization rather than applying changes mechanically

How to use it

Program this as a vocalist feature with jazz combo accompaniment, or include it in an instrumental jazz ensemble set where improvisation on the standard is expected. It also works as a teaching reference when introducing students to how chord substitutions reshape familiar melodies without losing their essential character.

Skills your students will build

  • Reading lead sheet notation and understanding its relationship to full scores
  • Distinguishing between original and altered chord changes and evaluating which serves a given context
  • Recognizing how melody and harmony interact when chords shift beneath a fixed line
  • Listening critically to recordings as a study method rather than a substitute for reading

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