Try to Remember: Choral SoundPax

This arrangement honors the song's gentle sophistication while making it genuinely fun to sing. Jay Althouse's orchestration moves from straightforward statement to light jazz waltz, giving singers a clear narrative arc within a single piece. Groups of any size can tackle it with confidence, and audiences recognize the tune instantly.

Nostalgic yet playful, like stepping into a time capsule that still swings. The opening captures the wistful beauty of the original while the waltz section adds lightness and humor. Singers feel the satisfaction of handling two distinct musical personalities within one arc.

Choirs of mixed ages and experience levels who want to perform recognizable Broadway music with contemporary jazz styling. Directors seeking a single piece that works for large or small ensembles and doesn't demand specialized musical theater training.

• Shape the opening statement with unhurried phrasing; let the melody breathe rather than rush toward the jazz section.
• Lock the rhythmic feel when the waltz begins by listening carefully to the recorded accompaniment to internalize the swing.
• Balance the parts so the tune stays audible even as jazz harmonies thicken around it.
• Use dynamic contrast between the two sections to make the stylistic shift feel intentional and clear.

Pair this with other Broadway standards for a contemporary American songbook concert, or use it as a bridge piece between traditional choral repertoire and jazz-inflected pop arrangements. It works equally well as a standalone opener that signals accessibility and joy to your audience.

• Stylistic contrast between straight 4/4 and waltz meter (3/4)
• Jazz phrasing and swing rhythm feel
• Dynamic balance in part-writing
• Sight-reading choral voicings over jazz harmonies