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Try to Remember: SSA Choral Octavo

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Try to Remember: SSA Choral Octavo

From The Fantasticks

Lyrics by Harvey Schmidt, music by Tom Jones / arr. Jay Althouse

Item: 00-27179

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Description
After running for more than 30 years off-Broadway, the musical legend The Fantasticks has re-opened to great reviews. The show is timeless, and so is its music. In this arrangement of the elegant opening number, the tune is stated first in a straightforward manner, then becomes a light jazz waltz. Perfectly arranged for all your groups, large or small, regardless of age.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081294391
SKU: 00-27179

More about this title

About the Composer: Harvey Schmidt

Harvey Schmidt composed the score for The Fantasticks with lyricist Tom Jones in 1960. The show became the longest-running off-Broadway musical in theater history, a testament to Schmidt's gift for melody that feels both intimate and universally moving. His work bridges classical songwriting and popular music with uncommon elegance.

Schmidt's compositions have been performed and recorded countless times by artists across genres. Educators return to his melodies again and again because they sit perfectly for singers, reward careful interpretation, and sound sophisticated without demanding technical extremes.

Why we love this

This arrangement honors the song's theatrical origins while making it genuinely singable for choirs of any size or age. Jay Althouse's touch is light here; the tune remains front and center, but the jazz waltz section gives your singers something to sink their teeth into without overwhelming the text or requiring instrumental expertise to accompany.

What to expect

Nostalgia wrapped in elegance. The opening melody has the timeless quality of something you've always known, then the jazz waltz section introduces a sophisticated wink, as if the song is sharing a secret with the listener. There's lightness throughout, but also genuine warmth.

Who it's for

This arrangement works for high school and adult treble choirs seeking theatrical repertoire that doesn't require soloists or specialized skills. It's equally at home in a concert of pop choral standards or as part of a Fantasticks-themed program. Singers will recognize the melody immediately, which builds confidence and engagement.

How to get the most out of it

  • Shape the opening straightforward section with unhurried phrasing. The melody wants space to breathe, so resist the urge to rush even though the piece is short.
  • Let the transition into the jazz waltz feel like a shift in perspective rather than a tempo change. The same tune takes on new color; invite your singers to find freshness in the familiar.
  • Balance the SSA texture so the melody line (likely in the soprano) doesn't dominate. Schmidt's harmonies in this song are part of the beauty.
  • Use the recorded accompaniment strategically during rehearsal to lock harmonic clarity before moving to full ensemble sound.

How to use it

Open a concert with this piece to set a reflective, Broadway-tinged tone, or pair it with other Fantasticks arrangements for a full theatrical program. It also serves beautifully as a bridge between classical choral repertoire and pop arrangements, showing singers that great melody transcends genre.

Skills your students will build

  • Sustained legit phrasing in a theatrical context
  • Ensemble balance in SSA voicing
  • Rhythmic precision in jazz waltz meter
  • Stylistic flexibility: moving between straightforward and jazz idioms within one piece

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