The Swing - Piano Solo (with Optional Duet Accompaniments) Sheet Music Preview

The Swing - Piano Solo (with Optional Duet Accompaniments): Piano Solo

10 Piano Solos Inspired by Great Works of Art

By Catherine Rollin

Level: Elementary/Late Elementary

Item: 00-PS-0017521

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$4.99
Description
In Museum Masterpieces, Book A, composer Catherine Rollin has created musical expressions of some of the great works of art found in museums throughout the world. The paintings that inspired these pieces are beautifully displayed on a four-page color insert at the center of the book, along with historical notes about each painting. Titles: At Sea (Albert Edelfelt) * Butterflies (Odilon Redon) * Feeding the Ducks (Mary Cassatt) * A Maratha Hunting Party (Edwin Lord Weeks) * Napoleon Crossing the Alps (Jacques-Louis David) * The Oregon Trail (Albert Bierstadt) * Portrait of Adele Bloch-Bauer I (Gustav Klimt) * Rain (Vincent van Gogh) * The Swing (Pierre-Auguste Renoir) * Tiger in a Tropical Storm (Henri Rousseau). A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Museum Masterpieces
Publisher: Alfred Music
Page Count: 28
SKU: 00-PS-0017521

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin balances an active performance schedule with a teaching studio where her students regularly win competitions at state and national levels. She holds a Bachelor of Musical Arts with distinction from the University of Michigan and a Master of Music from Oakland University School of Performing Arts, and has presented workshops and masterclasses in over 200 cities across the United States, Canada, Japan, and Taiwan.

Rollin's compositions have earned significant recognition within the music education field. She has received commissions from Clavier Companion magazine, the Music Teachers National Association (MTNA), and the Michigan Music Teachers Association, and multiple works appear in the National Federation of Music Clubs Festivals Bulletin. Her ASCAP award-winning Museum Masterpieces series has been featured prominently at Steinway Society concerts, and her commissioned trio for flute, alto saxophone, and piano premiered at the 2018 MTNA national conference.

Why we love this

Rollin's approach to art-inspired repertoire gives students something genuine to visualize and discuss, making practice sessions feel purposeful beyond technique. The optional duet accompaniments transform these pieces into flexible teaching tools: use them as written solos for recitals, pair them with more advanced students for coaching opportunities, or layer them into ensemble programming. This collection earned Federation Festivals recognition because it actually sounds musical at an elementary level, without sacrificing the creative spark that makes students excited to learn.

What to expect

Rollin captures the sense of movement, light, and emotion in each painting through piano writing that feels accessible yet sophisticated. The pieces evoke their subject matter directly, making practice feel like storytelling rather than drill work.

Who it's for

This collection works for elementary and late elementary pianists preparing recital repertoire, festival auditions, or simply exploring music connected to visual art. Teachers can use individual pieces with varied ability levels since the optional duet parts allow flexible performance options.

How to get the most out of it

  • Study the painting before learning the notes. Let the artwork's mood and movement shape your pedaling choices and phrasing decisions from the start.
  • Balance lyrical sections with appropriate rubato, but keep rhythmic figures grounded so the musical narrative stays clear.
  • If performing with a duet accompaniment, rehearse separately first, then work on blending dynamic levels so both parts breathe together.

How to use it

Frame a recital or studio event around the art theme by displaying the color reproductions and historical notes alongside program notes. These pieces also work beautifully as conversation starters in a mixed-level studio, where older students can play duet accompaniments while younger ones develop their foundations on the solo parts.

Skills your students will build

  • Tone control and pedaling choices that reflect musical imagery and mood
  • Rhythmic independence between hands in varied textures
  • Phrasing at the phrase level rather than measure-by-measure
  • Basic ensemble coordination and listening skills when performing with accompaniment

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