The Prayer Cover Image

The Prayer: SAB Choral Octavo

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The Prayer Cover Image

The Prayer: SAB Choral Octavo

Words and music by Carole Bayer Sager and David Foster / arr. Mark Hayes

Item: 00-41790

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Description
Originally recorded separately by both Celine Dion and Andrea Bocelli, the English and Italian versions were later combined to create this well-known duet. A beautiful, yet supportive, Mark Hayes' accompaniment makes this new arrangement soar.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Prayer: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081468709
SKU: 00-41790

More about this title

About the Composer: Carole Bayer Sager

Carole Bayer Sager is a lyricist and composer whose songs have reached audiences across multiple generations and musical genres. Her work spans pop, film, and television, often marked by emotionally direct storytelling and melodic accessibility. In the context of choral music education, her ability to craft singable lines and meaningful text makes her compositions natural fits for ensemble settings.

Why we love this

Mark Hayes' arrangement distills the power of this contemporary duet into a format that works for standard high school and community choirs without sacrificing the song's emotional core. The SAB voicing keeps the piece accessible while the accompaniment provides enough musical substance to hold interest during rehearsal and performance. You get a piece with genuine cultural currency that audiences recognize immediately, paired with an arranger who understands how to balance singability with musical authenticity.

What to expect

The piece carries a contemplative reverence rooted in its spiritual text, yet the accompaniment remains warm and modern rather than archaic. There's a kind of intimate quiet that builds gradually, drawing listeners into the singers' performance rather than demanding their attention through volume or speed. The English-Italian heritage of the original gives the arrangement a sense of cultural bridge-building.

Who it's for

This arrangement suits any choir with basic three-part mixed voicing experience. Community choirs, church ensembles, and high school groups performing spring or end-of-year concerts will find an emotionally resonant piece that requires solid musicianship without extreme technical demands. Singers appreciate working on contemporary material with text that feels genuine rather than stilted.

How to get the most out of it

  • Balance the melody line across all three voices rather than spotlighting a single part; the text carries emotional weight that benefits from collective ownership.
  • Work the accompaniment early and separately so singers can hear how their lines sit within the harmonic context before adding words.
  • Shape the dynamics gradually through the middle section rather than jumping between sudden changes; this piece rewards a slow architectural build.
  • Use the recorded accompaniment during rehearsals to establish tempo and groove, but eventually rehearse without it so singers develop independence.

How to use it

Anchor a spring concert's second half with this piece, or use it as the closing number for a holiday program where you want to transition from celebration toward reflection. It pairs well alongside other contemporary sacred selections in a concert exploring how modern composers approach spiritual texts. Consider programming it after an energetic number so the contrast in mood lands with impact.

Skills your students will build

  • Balancing individual vocal lines within a three-part texture
  • Singing sustained phrases with consistent tone and breath control
  • Interpreting text with emotional authenticity in a contemporary sacred context
  • Tracking a moving harmonic accompaniment while maintaining melodic independence
  • Building and releasing dynamic intensity across longer musical phrases

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