Prayer, The Sheet Music Preview

Prayer, The: SSA Choral Octavo

Words and music by Carole Bayer Sager and David Foster / arr. Mark Hayes

Item: 00-PO-0001961

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Minimum order quantity: 20 copies

Description
Originally recorded separately by both Celine Dion and Andrea Bocelli, the English and Italian versions were later combined to create this well-known duet. A beautiful, yet supportive, Mark Hayes' accompaniment makes this new arrangement soar.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001961

More about this title

About the Composer: Carole Bayer Sager

Carole Bayer Sager is a lyricist and composer whose songs have reached audiences across multiple genres and decades. Her collaborative work with David Foster on "The Prayer" demonstrates her gift for writing lyrics that resonate emotionally while remaining singable and accessible to performers at various levels.

Why we love this

Mark Hayes' arrangement captures the intimacy of the original duet while adapting it brilliantly for SSA voices. The accompaniment provides harmonic support without overshadowing the singers, making this a piece that sounds fuller and more polished than typical pop arrangements at this level.

What to expect

The piece carries a serene, reverent quality that invites singers into genuine introspection rather than theatrical delivery. Each phrase unfolds with unhurried grace, creating space for both individual voices and collective sound to shine.

Who it's for

Directors seeking repertoire that connects with singers emotionally while building musicianship across mixed or treble choirs. This arrangement works well for choirs with developing soloists who benefit from ensemble support, and for programs that value crossover sacred pieces with contemporary appeal.

How to get the most out of it

  • Balance the melody line between soloists and ensemble sections so the emotional arc stays clear; the recorded accompaniment can help establish this balance during rehearsals.
  • Shape the phrase endings with slight ritards and dynamic softening to mirror the reflective quality of the text.
  • Use the instrumental parts to reinforce sections where singers need confidence or to add instrumental color during key moments.

How to use it

Consider programming this as a centerpiece for a spring concert or as part of a sacred music set that bridges classical and contemporary styles. It also works effectively as a closing piece that leaves audiences in a contemplative mood, or as a feature for your strongest soloists supported by the full choir.

Skills your students will build

  • Balancing solo and ensemble textures
  • Phrasing and shaping in contemporary sacred music
  • Executing dynamic control in sustained, lyrical passages
  • Coordinating with instrumental accompaniment

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