The Prayer Cover Image

The Prayer: Choral Octavo SoundTrax CD

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The Prayer Cover Image

The Prayer: Choral Octavo SoundTrax CD

Words and music by Carole Bayer Sager and David Foster / arr. Mark Hayes

Item: 00-41793

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Description
Originally recorded separately by both Celine Dion and Andrea Bocelli, the English and Italian versions were later combined to create this well-known duet. A beautiful, yet supportive, Mark Hayes' accompaniment makes this new arrangement soar.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081468730
SKU: 00-41793

More about this title

About the Composer: Carole Bayer Sager

Carole Bayer Sager is a songwriter and composer whose career spans five decades of popular music, film, and television. She has collaborated with some of music's most accomplished composers and producers, earning Grammy Awards and an Academy Award nomination for her lyrical and melodic contributions to some of the most recognizable songs in contemporary music.

Why we love this

Mark Hayes' arrangement captures the emotional intimacy of the original duet while remaining accessible for mixed choir. The built-in accompaniment CD frees your singers to focus on blend and musicality rather than learning complex harmonic parts, making this a refreshing choice for groups seeking repertoire that feels both contemporary and reverent.

What to expect

The piece unfolds with understated elegance, allowing the familiar melody to breathe without unnecessary embellishment. There is an intimacy here even at full volume, a sense of quiet devotion that invites listeners into personal reflection rather than overwhelming them with spectacle.

Who it's for

This arrangement works for intermediate to advanced choirs seeking accessible yet musically substantial sacred repertoire. It suits mixed choirs of any size and appeals to singers drawn to contemporary Christian music and crossover styles.

How to get the most out of it

  • Balance the two melodic lines carefully during the verse sections. If you have soloists singing the primary melody, keep the harmonic voices underneath supporting rather than competing.
  • Use the recorded accompaniment to establish the correct pacing and rubato. This piece benefits from slight flexibility in tempo, particularly as it builds toward the final phrase.
  • Shape your dynamic trajectory across the entire piece rather than treating each phrase in isolation. The cumulative emotional effect depends on gradual expansion from the quieter opening to the fuller conclusion.

How to use it

Position this as a centerpiece for a sacred or contemporary-leaning concert, or pair it with other world language repertoire to create a thematic program exploring faith across cultures. It works equally well as a moving finale to a winter concert or as part of a chapel service.

Skills your students will build

  • Balancing melodic and harmonic roles within a contemporary harmonic language
  • Sustaining legit tone through passages requiring both resonance and lightness
  • Responding to subtle dynamic and tempo inflection cues from a recorded accompaniment
  • Singing with musical maturity in a style bridging sacred and popular idioms

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