The Music of Life Cover Image

The Music of Life: Choral Octavo SoundTrax CD

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The Music of Life Cover Image

The Music of Life: Choral Octavo SoundTrax CD

By Jay Althouse

Item: 00-27357

$22.95
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Description
A full-fledged Latin-rock number, in the style of Carlos Santana, complete with rhythmic intensity and solid choral writing. The general, "music" lyrics ("Life is like a melody. Life is like a song.") make it ideal for year-round performance. Two brief Spanish phrases are sung; pronunciation guide included. Full of life.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081296173
SKU: 00-27357

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. His prolific output as a choral composer now exceeds 800 published works performed regularly across the English-speaking world.

Althouse is a writer member of ASCAP and a consistent recipient of the ASCAP Special Award for his compositions. Beyond his choral writing, he has co-created children's musicals with Sally K. Albrecht, compiled widely used vocal solo collections, and authored or co-authored several foundational classroom resources including The Complete Choral Warm-up Book and Accent on Composers. His choral composition "I Hear America Singing," written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse captures the infectious energy of Latin-rock without sacrificing vocal musicality or accessibility. The rhythmic drive mirrors Santana's signature style while the straightforward lyrics about music and life give this piece genuine versatility across concert themes and seasons. Choirs feel the groove immediately, and audiences respond to music this alive.

What to expect

Energy pulses through every measure, grounded in the percussion and bass patterns that define Latin-rock. The choral voices ride that current with conviction, the lyrics simple and universal, the rhythm impossible to ignore. It feels like summer, momentum, life itself in motion.

Who it's for

This piece engages choirs of mixed abilities who thrive on contemporary idioms and rhythmic drive. It works equally well for community groups, school choirs, and young singers discovering Latin music influences in choral literature.

How to get the most out of it

  • Lock into the Latin-rock groove by having the rhythm section (or recorded accompaniment) anchor the opening measures before adding voices. The precision of that foundation carries the whole arrangement.
  • Pay close attention to the Spanish pronunciation guide for the two phrases included in the piece. Authenticity matters here, and your singers will sound more confident when they trust the pronunciation.
  • Encourage purposeful movement during rehearsal. The piece includes staging suggestions, and even subtle sway or gesture can amplify the rhythmic intensity without requiring choreography.
  • Balance the rhythmic intensity with clear vowel definition. Latin-rock style tempts singers toward slurred or driving delivery, but articulate vowels keep the choral sound vibrant and precise.

How to use it

Slot this piece into spring or end-of-year concerts where you want to send audiences out smiling. Pair it with other contemporary works to demonstrate your choir's range, or use it as an opener to establish immediate engagement with the audience. The multicultural energy and secular theme also make it valuable for diversity-focused concert programming.

Skills your students will build

  • Maintaining steady rhythm against Latin-rock percussion patterns
  • Singing Spanish text with proper pronunciation and authentic phrasing
  • Coordinating movement with rhythmic and harmonic content
  • Balancing ensemble blend while preserving rhythmic precision and articulation

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