The Music of Life Cover Image

The Music of Life: SAB Choral Octavo

$1.75 USD
Sale price  $1.75 USD Regular price 
Skip to product information
The Music of Life Cover Image

The Music of Life: SAB Choral Octavo

By Jay Althouse

Item: 00-27354

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.75
Shipped

One moment…

Description
A full-fledged Latin-rock number, in the style of Carlos Santana, complete with rhythmic intensity and solid choral writing. The general, "music" lyrics ("Life is like a melody. Life is like a song.") make it ideal for year-round performance. Two brief Spanish phrases are sung; pronunciation guide included. Full of life. Choreography featured on "Razzamatazz!" DVD (item 00-27430).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Music of Life: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081296142
SKU: 00-27354

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has written more than 800 choral works performed across the English-speaking world and maintains membership in ASCAP, receiving their Special Award regularly for his contributions to standard music.

Beyond composition, Althouse has collaborated with his wife, Sally K. Albrecht, on children's musicals and vocal collections including Folk Songs for Solo Singers. He authored and co-authored numerous classroom resources: The Complete Choral Warm-up Book, Accent on Composers, Ready to Read Music, Sixty Music Quizzes, and One-Page Composer Bios. His choral work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Currently based in Wake Forest, North Carolina, he serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse captures Santana's unmistakable rhythmic energy in a choral setting that never feels forced or artificial. The universally appealing lyrics about music and life work for spring concerts, year-end celebrations, or any performance context, freeing you from searching for thematic tie-ins. The included pronunciation guide for Spanish phrases removes preparation barriers, and optional instrumental parts plus recorded accompaniment give you flexibility in how you realize the arrangement.

What to expect

From the first moment, this piece vibrates with the drive and swagger of Latin rock. The energy is infectious without being exhausting; Althouse gives you moments to breathe while maintaining the sense that the music is always moving forward, propelled by steady rhythms and warm, open harmonies.

Who it's for

This works beautifully for mixed-voice choirs of any age from middle school through adult singers. SAB voicing keeps it accessible for younger or less experienced groups while maintaining the sophisticated harmonic language that keeps experienced choirs engaged.

How to get the most out of it

  • Anchor the Latin-rock groove through your rhythm section or recorded accompaniment. Let the percussion and bass lock in first, then build the choir's entrances around that foundation.
  • Shape the Spanish phrases with clear vowels and authentic rhythm; the pronunciation guide is your guide, but listen to the accompaniment track for stylistic inflection.
  • Balance the three voices so the top line sings through without drowning out harmonic movement in the middle and lower parts. SAB voicing here should feel unified, not stratified.
  • Lean into the rhythmic intensity during unison or octave sections. This piece thrives on forward motion and percussive articulation of consonants.

How to use it

This is an ideal opener or show-closer when you want to energize an audience and set a celebratory tone. It pairs naturally with other world music repertoire or works well as a standalone feature that demonstrates your choir's ability to command a contemporary style. The general themes make it suitable for spring concerts, graduation celebrations, or any program seeking vibrant, uplifting material.

Skills your students will build

  • Latin rhythmic patterns and syncopation
  • Pronunciation and phrasing of Spanish text
  • Singing with rhythmic precision against a steady groove
  • Balancing three-part harmony in a contemporary pop-rock context
  • Integrating movement and staging with vocal technique

You May Also Like