The Music of Life Cover Image

The Music of Life: SSA Choral Octavo

$1.75 USD
Sale price  $1.75 USD Regular price 
Skip to product information
The Music of Life Cover Image

The Music of Life: SSA Choral Octavo

By Jay Althouse

Item: 00-27355

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.75
Shipped

One moment…

Description
A full-fledged Latin-rock number, in the style of Carlos Santana, complete with rhythmic intensity and solid choral writing. The general, "music" lyrics ("Life is like a melody. Life is like a song.") make it ideal for year-round performance. Two brief Spanish phrases are sung; pronunciation guide included. Full of life. Choreography featured on "Razzamatazz!" DVD (item 00-27430).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Music of Life: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081296159
SKU: 00-27355

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized with the Distinguished Alumni award. Early in his career, he spent eight years managing rights and licensing for a major educational music publisher, serving also on the Executive Board of the Music Publishers Association of America. As a composer, he has built a catalog exceeding 800 choral works performed widely across the English-speaking world.

Althouse's contributions extend well beyond composition. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award for his standard music compositions. He has co-authored children's musicals with his wife, Sally K. Albrecht; compiled and arranged vocal solo collections including Folk Songs for Solo Singers; and written foundational instructional texts such as The Complete Choral Warm-up Book and Accent on Composers. Among his reproducible classroom resources are Ready to Read Music, Sixty Music Quizzes, and One-Page Composer Bios. Althouse served on the board of the North Carolina Master Chorale and currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse writes choral music that swings with genuine rhythmic sophistication without demanding exhausting technical precision from singers. The Latin-rock idiom here is energized and idiomatic rather than a surface treatment, and the SSA voicing sits naturally in the tessitura singers actually enjoy. The generic lyrics about music itself mean you can program this confidently across seasons and settings.

What to expect

Rhythmically alive and propulsive, with that unmistakable Santana-inspired Latin-rock pulse that feels celebratory rather than academic. The piece swings with genuine joy; singers feel the momentum of the groove, not just the mechanics of harmony.

Who it's for

Directors with SSA or SSAA choirs looking for high-energy, accessible repertoire that still carries real musical substance. This works equally well for jazz and contemporary choral programs, community and all-girls ensembles, or directors building a concert around global musical idioms.

How to get the most out of it

  • Lock in the percussion and rhythm section foundation (snare, bass, clave patterns) before layering vocal parts; this piece lives in the groove, not in four-square phrasing.
  • Rehearse the Spanish phrases separately with a pronunciation guide in hand; even brief text matters when singers are learning to own a style that isn't their native musical vocabulary.
  • Study the recorded accompaniment to absorb the Santana-influenced swing and percussion texture; your singers will find their natural energy once they hear the harmonic and rhythmic landscape clearly.
  • Keep the rhythmic vowels open and forward; Latin-rock style demands clarity of articulation, not classical purity, especially in the ensemble sections.

How to use it

Pair this with other world music selections for a multicultural concert, or use it as a concert closer to send audiences out energized. The lightweight metaphorical lyrics fit naturally into year-round programming, spring festivals, or any context where you need contemporary music with real style.

Skills your students will build

  • Singing with rhythmic precision in a non-classical idiom
  • Maintaining steady groove while singing independent vocal parts
  • Balancing articulation and vowel consistency in fast-moving ensemble sections
  • Basic Spanish language pronunciation and musical phrasing

You May Also Like