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Summertime: Choral Octavo SoundTrax CD

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Summertime: Choral Octavo SoundTrax CD

From the Musical Porgy and Bess

Music and lyrics by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / arr. Mark Hayes

Item: 00-28780

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Description
This classic American song from Porgy and Bess® deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voices on a dramatic journey appropriate to the nature of the piece. A song that every singer should know and will love.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081313252
SKU: 00-28780

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged the concert hall and popular music with unprecedented fluency. His ability to weave jazz idioms, blues inflections, and classical forms into orchestral and operatic works made him one of the most influential American composers of the twentieth century. Porgy and Bess, created in collaboration with librettists DuBose and Dorothy Heyward and lyricist Ira Gershwin, stands as his operatic masterpiece and a cornerstone of American musical theater.

For choral directors, Gershwin's vocal writing offers rich rewards. His melodies sing naturally, his harmonies sound both sophisticated and accessible, and his music carries genuine dramatic weight. Studying his arrangements and songs teaches singers about the intersection of American vernacular music and formal composition, a literacy that every serious vocalist benefits from developing.

Why we love this

Mark Hayes elevates this beloved standard with a setting that honors its theatrical origins while deepening the harmonic journey. The arrangement respects what makes Gershwin's melody so singable while adding sophisticated voicings that challenge singers to move beyond surface-level performance. This is the version that reminds audiences why Summertime endures across nearly a century of musical life.

What to expect

Warm, elegiac, and deeply American. The song moves with the ease of someone who has lived with sorrow and learned to sing anyway, carried forward by piano writing that feels both intimate and expansive. There is melancholy here, but also resilience and a kind of graceful acceptance.

Who it's for

This octavo belongs in the repertoire of any choir mature enough to handle sophisticated harmony and sensitive to emotional nuance. Strong high school choirs, collegiate ensembles, and community and professional singers will all find this arrangement worth the musical investment.

How to get the most out of it

  • Lean into the lush harmonies without letting them obscure the vocal line; balance ensemble weight with the lyrical shape Gershwin wrote into the melody.
  • Work the piano accompaniment as a collaborative voice rather than a support mechanism; Hayes's writing gives the pianist substantial musical material that anchors the harmonic world.
  • Shape phrases across the full arc of the song rather than in small units; this arrangement rewards sustained, long-lined singing that allows the dramatic arc to unfold naturally.
  • Use the recorded accompaniment to internalize the harmonic language and rhythmic ease the arrangement requires; the SoundTrax CD demonstrates how the piece breathes when performed with confidence.

How to use it

Position this as a centerpiece of a program exploring American musical theater or twentieth-century song. It pairs well with other Gershwin material or sits naturally in a concert mixing art song with popular standards. The dramatic depth of Hayes's arrangement makes it work as a concert conclusion that leaves the audience thoughtful rather than cheerful.

Skills your students will build

  • Singing sustained, legit vocal lines over complex jazz-influenced harmony
  • Balancing ensemble blend while maintaining individual voice independence in lush voicings
  • Interpreting dramatic arc and emotional subtext in a secular standard
  • Responding to and following a sophisticated piano accompaniment

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