Summertime Cover Image

Summertime: SSA Choral Octavo

$2.10 USD
Sale price  $2.10 USD Regular price 
Skip to product information
Summertime Cover Image

Summertime: SSA Choral Octavo

From the Musical Porgy and Bess

Music and lyrics by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / arr. Mark Hayes

Item: 00-28778

makemusic Cloud badge
$2.10
Shipped

One moment…

Description
This classic American song from Porgy and Bess® deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voices on a dramatic journey appropriate to the nature of the piece. A song that every singer should know and will love.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Summertime: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081313238
SKU: 00-28778

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged the worlds of concert music and American popular song with a gift for melody and harmonic sophistication that elevated every genre he touched. His collaboration with lyricist Ira Gershwin and librettists DuBose and Dorothy Heyward produced Porgy and Bess, a work that transformed American musical theater and gave voice to stories and music rooted in African American culture.

For choral directors, Gershwin's melodies remain among the most rewarding to teach. They sit naturally in the voice, carry immediate emotional weight, and provide singers with direct access to American musical heritage. His work continues to anchor repertoire lists across all levels because the songs themselves demand excellence in execution.

Why we love this

Mark Hayes brings out the dramatic architecture of this song with piano writing that never overwhelms the voices but instead creates a true partnership. The lush harmonic language and carefully weighted voicing make this arrangement feel both sophisticated and singable, allowing singers to experience why this melody has endured for nearly a century. Programming this setting signals to your audience that you're treating a beloved standard with the seriousness it deserves.

What to expect

The opening feels intimate and sultry, with the piano setting a scene of languid warmth. As the arrangement builds, the harmonic richness deepens, creating moments of genuine drama and longing that honor both the beauty and the complexity of the original song.

Who it's for

This octavo works beautifully for treble choirs at the high school level and above, as well as for community and adult choirs seeking repertoire with emotional depth and cultural significance. Singers need enough vocal maturity and sight-reading security to manage the harmonic language, but the melody itself is accessible enough that even younger singers can succeed with solid preparation.

How to get the most out of it

  • Protect the melody line with consistent voicing; the beauty of this arrangement depends on the primary tune emerging clearly over the harmonic foundation. Rehearse it separately from the other parts until singers understand their role in supporting rather than competing with the lead.
  • Use the recorded accompaniment during sectional work to anchor tempo and harmonic context, which is especially valuable when teaching singers how their parts relate to the piano's dramatic arc.
  • Shape phrases with intentionality rather than letting them drift. This arrangement rewards singers who understand the emotional trajectory from verse through final statement; mark breath points and phrasing goals before you step on the podium.
  • Balance the SSA texture by being explicit about alto placement. The middle voices carry crucial harmonic color in Hayes' writing, so resist the urge to push sopranos into prominence at the expense of textural blend.

How to use it

This works particularly well as a showcase moment in a mixed program or as part of a concert exploring American musical theater. Consider pairing it with other Broadway or jazz-influenced selections, or use it as a climactic solo piece that demonstrates your choir's ability to handle both lyrical singing and interpretive maturity. The dramatic arc makes it strong as either a concert opener or a closing number.

Skills your students will build

  • Singing sustained legato lines over rich harmonic accompaniment
  • Balancing independent voice parts while maintaining awareness of the primary melody
  • Interpreting text with emotional nuance and dramatic arc
  • Reading and executing Hayes' contemporary harmonic language
  • Ensemble blend in SSA texture with attention to alto as harmonic voice

You May Also Like