Splish Splash Sheet Music Preview

Splish Splash: Piano/Vocal/Chords

Ten Years of Popular Sheet Music Bestsellers

Item: 00-PS-0011005

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Description
This songbook contains more than 50 of the biggest hits of the 1950s. Each song is sure to spark a memory or create a new one for pianists or vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: A Teenager in Love (Dion and the Belmonts) * All I Have to Do Is Dream (The Everly Brothers) * Best Is Yet to Come (Frank Sinatra) * Bird Dog (Everly Brothers) * Blueberry Hill (Fats Domino) * Bye, Bye Love (Everly Brothers) * Chances Are (Johnny Mathis) * Crying in the Chapel (The Orioles) * Earth Angel (The Penguins) * Everybody Loves to Cha Cha Cha (Sam Cooke) * Everything's Coming Up Roses (from Gypsy) * From This Moment On (Cole Porter) * Great Balls of Fire (Jerry Lee Lewis) * Hey There (Rosemary Clooney) * Hold Me, Thrill Me, Kiss Me (Karen Chandler) * I Could Have Danced All Night (from My Fair Lady) * Just in Time (Tony Bennett) * Lipstick on Your Collar (Connie Francis) * Love and Marriage (Frank Sinatra) * Love Is a Many Splendored Thing (The Four Aces) * Misty (Johnny Mathis) * Mr. Lee (The Bobbettes) * My Special Angel (Bobby Helms) * On the Street Where You Live (from My Fair Lady) * Orange Colored Sky (Nat "King" Cole) * Peter Gunn (Henry Mancini) * Rock Around the Clock (We're Gonna) (Bill Haley and His Comets) * Satin Doll (Duke Ellington) * See You in September (The Tempos) * Shake, Rattle and Roll (Bill Haley and His Comets) * Sh-Boom (Life Could Be a Dream) (The Crew Cuts) * Sixteen Candles (The Crests) * Sixteen Tons (Tennessee Ernie Ford) * Sleigh Ride (Leroy Anderson) * Splish Splash (Bobby Darin) * Summertime Blues (Eddie Cochran) * Thank Heaven for Little Girls (Maurice Chevalier) * That's Entertainment! (Fred Astaire) * Three Coins in the Fountain (The Four Aces) * Till (Percy Faith) * Together Wherever We Go (from Gypsy) * True Love (Bing Crosby) * Volare (Bobby Rydell) * Wake Up, Little Susie (Everly Brothers) * Walkin' My Baby Back Home (Nat "King" Cole) * Whatever Lola Wants (Sarah Vaughan) * When I Fall in Love (Doris Day) * Whole Lotta Shakin' Goin' On (Jerry Lee Lewis) * Who's Sorry Now (Connie Francis) * You Send Me (Sam Cooke) * Your Cheatin' Heart (Hank Williams).

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Additional Details
Series: Decade by Decade
Publisher: Alfred Music
Page Count: 208
SKU: 00-PS-0011005

More about this title

About the Composer: Bobby Darin

Bobby Darin (1936-1973) was a versatile entertainer who thrived across multiple musical genres during the 1950s and 1960s. Known for his energetic performances, distinctive vocal style, and ability to command both pop and jazz audiences, Darin became a defining voice of the rock and roll era while also demonstrating serious musicianship in standards and theatrical works.

Beyond his recording career, Darin's influence on popular music education lies in his demonstration that pop music could be both commercially successful and musically sophisticated. His interpretations of standards alongside original rock and roll hits showed singers and musicians how to navigate stylistic range without sacrificing authenticity.

Why we love this

This collection captures the full spectrum of 1950s popular music in one accessible resource. Rather than cherry-picking only the most famous novelty hits, the songbook honors the era's genuine variety: Broadway standards, vocal group classics, early rock and roll, and sophisticated pop ballads all sit together naturally. For pianists and singers working across multiple styles, having 50+ songs arranged in one book means you can program an entire themed concert, showcase multiple genres in a recital, or simply explore the decade's musical richness without hunting through a dozen different sources.

What to expect

Opening this book feels like stepping into a jukebox from a 1950s diner or dance hall. The arrangements balance authenticity with playability; you hear echoes of the original recordings without requiring impossible technical feats. There's genuine warmth in these melodies and honest simplicity in these chord progressions, which is precisely why so many of these songs have endured for seven decades.

Who it's for

This book serves pianists and vocalists of intermediate ability who want to explore an important chapter in American popular music history. Whether you're preparing material for a nostalgia-themed performance, building a diverse recital repertoire, or simply enjoying the songs on your own terms, the collection offers something for singers tackling ballads and rockers alike, as well as accompanists seeking versatile solo and collaborative material.

How to get the most out of it

  • Anchor the rhythm section feel by locking the left hand comping patterns with the chord symbols; the swing and rock grooves in these arrangements depend on consistent harmonic support from the piano.
  • Match your vocal style to the original recording's character. 'Great Balls of Fire' demands percussive energy while 'Misty' requires intimate phrasing; the same voice can navigate both if you listen and adapt.
  • Use the chord symbols to improvise introductions and interludes. Many of these songs originated in live performance contexts where pianists naturally expanded arrangements on the fly.
  • Pay attention to the lyrics' storytelling and emotional arc. 1950s pop songs often carry specific narrative weight; honor that through dynamic and tempo choices rather than treating them as generic sing-alongs.

How to use it

Build a concert program around a single decade theme, alternating between uptempo rock and roll numbers, classic vocal group pieces, and Broadway-influenced ballads to showcase the era's stylistic range. Alternatively, extract individual songs for recitals or student performance portfolios, where this collection becomes a go-to source for accessible yet musically rewarding material across multiple genres.

Skills your students will build

  • Reading chord symbols and interpreting harmonic notation in pop and jazz contexts
  • Adapting vocal phrasing and interpretation to match specific song styles (rock, ballad, swing, doo-wop)
  • Developing rhythmic independence between piano left and right hands in comping patterns
  • Navigating the relationship between lyrical content and musical expression
  • Building left-hand accompaniment patterns from chord symbols
  • Understanding the historical and stylistic conventions of 1950s popular music

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