Earth Angel Sheet Music Preview

Earth Angel: Piano/Vocal/Chords

Ten Years of Popular Sheet Music Bestsellers

Item: 00-PS-0010776

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$4.99

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Description
This songbook contains more than 50 of the biggest hits of the 1950s. Each song is sure to spark a memory or create a new one for pianists or vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: A Teenager in Love (Dion and the Belmonts) * All I Have to Do Is Dream (The Everly Brothers) * Best Is Yet to Come (Frank Sinatra) * Bird Dog (Everly Brothers) * Blueberry Hill (Fats Domino) * Bye, Bye Love (Everly Brothers) * Chances Are (Johnny Mathis) * Crying in the Chapel (The Orioles) * Earth Angel (The Penguins) * Everybody Loves to Cha Cha Cha (Sam Cooke) * Everything's Coming Up Roses (from Gypsy) * From This Moment On (Cole Porter) * Great Balls of Fire (Jerry Lee Lewis) * Hey There (Rosemary Clooney) * Hold Me, Thrill Me, Kiss Me (Karen Chandler) * I Could Have Danced All Night (from My Fair Lady) * Just in Time (Tony Bennett) * Lipstick on Your Collar (Connie Francis) * Love and Marriage (Frank Sinatra) * Love Is a Many Splendored Thing (The Four Aces) * Misty (Johnny Mathis) * Mr. Lee (The Bobbettes) * My Special Angel (Bobby Helms) * On the Street Where You Live (from My Fair Lady) * Orange Colored Sky (Nat "King" Cole) * Peter Gunn (Henry Mancini) * Rock Around the Clock (We're Gonna) (Bill Haley and His Comets) * Satin Doll (Duke Ellington) * See You in September (The Tempos) * Shake, Rattle and Roll (Bill Haley and His Comets) * Sh-Boom (Life Could Be a Dream) (The Crew Cuts) * Sixteen Candles (The Crests) * Sixteen Tons (Tennessee Ernie Ford) * Sleigh Ride (Leroy Anderson) * Splish Splash (Bobby Darin) * Summertime Blues (Eddie Cochran) * Thank Heaven for Little Girls (Maurice Chevalier) * That's Entertainment! (Fred Astaire) * Three Coins in the Fountain (The Four Aces) * Till (Percy Faith) * Together Wherever We Go (from Gypsy) * True Love (Bing Crosby) * Volare (Bobby Rydell) * Wake Up, Little Susie (Everly Brothers) * Walkin' My Baby Back Home (Nat "King" Cole) * Whatever Lola Wants (Sarah Vaughan) * When I Fall in Love (Doris Day) * Whole Lotta Shakin' Goin' On (Jerry Lee Lewis) * Who's Sorry Now (Connie Francis) * You Send Me (Sam Cooke) * Your Cheatin' Heart (Hank Williams).

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Additional Details
Series: Decade by Decade
Publisher: Alfred Music
Page Count: 208
SKU: 00-PS-0010776

More about this title

About the Composer: Jesse Belvin

Jesse Belvin was an influential R&B singer, songwriter, and pianist whose career spanned the 1950s and early 1960s. Known for his smooth vocal delivery and compositional contributions to the doo-wop and R&B genres, Belvin worked as both a performer and behind-the-scenes songwriter, helping to shape the sound of 1950s popular music across multiple styles and ensembles.

Belvin's work exemplifies the cross-pollination of musical styles during this era, when R&B, pop, and vocal group traditions were deeply intertwined. His songwriting reflects the melodic sensibility and harmonic sophistication that made 1950s music enduringly appealing to performers and listeners alike.

Why we love this

This collection captures the melodic generosity and harmonic richness of 1950s pop in one affordable volume. The mix of standards, novelty songs, and rock and roll classics gives pianists and singers real programming flexibility, whether you're building a nostalgia-themed recital, accompanying a community theater production, or simply exploring the era's most infectious melodies. The chord symbols throughout make transposition and improvisation natural.

What to expect

Stepping through these pages feels like flipping through a jukebox of genuine hits from American pop's golden age. The melodic lines are memorable and singable, the harmonies warm and satisfying, and the sheer variety of moods spans intimate ballads, uptempo novelty numbers, and rock and roll energy. Each song carries the unmistakable character of its original era while remaining immediately playable.

Who it's for

Pianists and singers seeking accessible yet authentic 1950s repertoire will find this collection both practical and enjoyable. Whether you're preparing material for recitals, rehearsing accompanying skills, or exploring a beloved musical era, the chord symbols and variety of styles make this suitable for students at intermediate levels and beyond, as well as adult hobbyists and performers returning to music.

How to get the most out of it

  • Balance the vocal line with the piano accompaniment rather than doubling the melody in unison; let the voice lead while the piano provides harmonic color and rhythmic shape.
  • Approach the rhythm and swing of these pieces with attention to the original recordings' feel. Even straightforward pop songs from this era often benefit from subtle syncopation and a relaxed sense of time.
  • Use the chord symbols to explore comping variations on repeated sections, especially in standards like 'Satin Doll' or 'Misty' where tasteful accompaniment improvisation enhances the performance.
  • Pay particular attention to lyrical phrasing in the vocal line; songs like 'All I Have to Do Is Dream' and 'Chances Are' rely on breath placement and rubato to convey their romantic character.

How to use it

This collection works beautifully as a curated source for themed concerts or informal recital sets celebrating mid-twentieth-century pop. Individual songs can also serve as supplementary material for pianists or singers working through song literature studies, offering authentic arrangements with accessible chord symbols for practice and performance. The 50-plus titles make it easy to select pieces that match your performers' abilities and your program's stylistic direction.

Skills your students will build

  • Reading and playing chord symbols in context
  • Balancing melody and accompaniment in piano/vocal arrangements
  • Interpreting swing, rubato, and stylistic inflection in popular song
  • Understanding voice leading and harmonic function in 1950s pop idiom
  • Sight-reading varied accompanimental patterns and rhythmic feels

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