Kingsfold Cover Image

Kingsfold: Brass Quintet Score & Parts

$15.00 USD
Sale price  $15.00 USD Regular price 
Skip to product information
Kingsfold Cover Image

Kingsfold: Brass Quintet Score & Parts

Traditional English Folk Song / arr. David Marlatt

Level: Medium

Item: 81-BQ28291

$15.00
Shipped

One moment…

Description
This beautiful folk song has been used as the melody for several popular hymns including: I Heard the Voice of Jesus Say, O Sing a Song of Bethleheim, I Feel the Winds of God Today and several others. Ralph Vaughn Williams also arranged a famous setting for string orchestra, the 5 Variants of 'Dives and Lazarus. This arrangement is opened by a solo trumpet with a sense of a lone player on the top of a hill surrounded by mist. The tune is then played in full quartet voicing leading to other variations and rescorings. Ending, as it began, very peacefully and reflectively.

Kingsfold: Brass Quintet Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-288-3
ISBN13: 978-1-55473-288-3
UPC: 685462012893
SKU: 81-BQ28291
Instrumentation: Brass Quintet

More about this title

Why we love this

Marlatt's arrangement honors the hymn tune's meditative essence while giving brass quintet players genuine musical substance. The solo trumpet opening immediately establishes intimacy and reflection, then the full voicing that follows rewards careful ensemble balance and blend. This is programming gold for a group wanting to show versatility beyond showpiece territory.

What to expect

The arrangement unfolds like a solitary figure contemplating a vast, misty landscape. What begins as a single voice gradually gathers companions until the tune rings out in rich harmony, then returns to quiet reflection, never losing the sense of space and serenity that defines the hymn's character.

Who it's for

Intermediate brass quintets comfortable with blend and sustained musical phrasing will find this accessible yet musically rewarding. Ensembles seeking repertoire that bridges folk tradition and refined chamber writing benefit from the clear architectural arc and moderate technical demands.

How to get the most out of it

  • Shape the opening trumpet solo with dynamic restraint; let the mist-like quality emerge through soft articulation and space between phrases rather than through heavy vibrato.
  • Balance the full quartet voicing carefully so no single voice dominates when the tune transfers among the ensemble; listen for blend across the quintet, not just within the brass family.
  • Attend to the rescorings and variations by marking where the harmonic focus shifts; a small tempo adjustment or color change at each new variation keeps the piece from sounding static.
  • Bring the peaceful reflective ending back to the transparency of the opening; resist the urge to swell into sentimentality, letting the final measures breathe and fade naturally.

How to use it

This works beautifully as a closing piece on a brass recital, especially one that opens with more energetic works. Its reflective character also pairs well with other traditional or folk-based arrangements, offering audiences a moment of stillness before intermission or as a formal finale.

Skills your students will build

  • Balancing mixed scoring textures (solo, duet, and full quintet voicings)
  • Sustaining lyrical phrasing across longer musical lines
  • Blend and intonation in four-part brass harmony
  • Ensemble listening and responding to textural shifts

You May Also Like