Kingsfold Cover Image

Kingsfold: Flexible Band/String Ensemble Score & Parts

$50.00 USD
Sale price  $50.00 USD Regular price 
Skip to product information
Kingsfold Cover Image

Kingsfold: Flexible Band/String Ensemble Score & Parts

Traditional English Folk Song / arr. David Marlatt

Grade: 2

Item: 81-FB1415

$50.00
Shipped

One moment…

Description
Eighth Note Publications Flexible Band/String Series provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation.

This beautiful folk song has been used as the melody for several popular hymns including "I Heard the Voice of Jesus Say," "O Sing a Song of Bethlehem," "I Feel the Winds of God Today," and several others. It is a beautiful work that seems to float along both melodically and harmonically. This arrangement is opened by a solo voice with a sense of a lone player on the top of a hill surrounded by mist. The tune is then played in full quartet voicing leading to other variations and re-scorings. It ends as it began, very peacefully and reflectively.

Kingsfold: Flexible Band/String Ensemble Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Eighth Note Publications Flexible Band Series
Publisher: Eighth Note Publications
ISBN10: 1-77157-195-0
ISBN13: 978-1-77157-195-1
UPC: 685462021963
SKU: 81-FB1415

More about this title

Why we love this

David Marlatt's arrangement respects the hymn tune's meditative character while giving ensemble directors genuine flexibility in casting. The arc from solo voice to full quartet voicing to peaceful reflection creates musical interest at any instrumentation level, and the Grade 2 writing ensures accessibility without sacrificing beauty.

What to expect

A hymn melody drifts across the stage as if carried on mist, solitary at first, then gradually joined by others until it blooms into full harmony. The arrangement carries both reverence and accessibility, neither overselling the tune nor underestimating its quiet power.

Who it's for

Ensembles working with limited or unusual instrumentation will find this arrangement essential. Whether you're leading a mixed quintet at a music camp, filling odd section gaps in a smaller band, or preparing a contest piece that welcomes flexible scoring, Kingsfold accommodates your actual ensemble rather than requiring you to build around a fixed part list.

How to get the most out of it

  • Shape the opening solo with patience and space; this moment establishes the "lone player on a hilltop" character that frames the entire piece.
  • Balance the full quartet voicing so no single voice dominates; the arrangement relies on blend and transparency rather than volume.
  • Let the harmonic movement breathe naturally without rushing; the folk melody floats best when rhythmic entrances feel unhurried and organic.
  • Reserve dynamic lift for the variations between the opening and closing; this creates an arc without needing extreme contrasts.

How to use it

Open a concert with this piece to establish a contemplative mood, or position it as a peaceful bridge between contrasting works. Its Grade 2 accessibility and sacred context make it valuable for interfaith performances, community collaborations, or any program seeking an unhurried moment of reflection.

Skills your students will build

  • Balancing ensemble blend across non-standard instrumentation
  • Sustaining focused tone in slower tempos
  • Following harmonic movement and inner voice independence
  • Responding to orchestration changes (solo, quartet, full ensemble)
  • Shaping musical phrases without excessive dynamic changes

You May Also Like