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Kingsfold: Concert Band Conductor Score

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Kingsfold: Concert Band Conductor Score

Traditional English Folk Song / arr. David Marlatt

Grade: 2

Item: 81-CB29137S

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Description
This beautiful folk song has been used as the melody for several popular hymns, including "I Heard the Voice of Jesus Say," "O Sing a Song of Bethlehem," "I Feel the Winds of God Today" and several others. This arrangement is opened by a solo trumpet with a sense of a lone player on the top of a hill surrounded by mist. The tune is then played in a brass quartet voicing leading to other variations and rescorings. Ending, as it began, very peacefully and reflectively.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 16
ISBN10: 1-55473-416-9
ISBN13: 978-1-55473-416-0
UPC: 685462014170
SKU: 81-CB29137S

More about this title

Why we love this

Marlatt's treatment respects the hymn tune's spiritual weight while giving your band genuine color and architectural interest. The solo trumpet entrance is a stunning sound that opens the piece with intimacy, and the brass quartet voicing that follows gives players of different sections real musical moments rather than filler.

What to expect

A solitary trumpet call echoes across misty highlands, then settles into warm brass harmony. The piece unfolds like a hymn being sung by different voices in a small chapel, familiar yet freshly arranged, always moving toward stillness and peace.

Who it's for

This is ideal for bands that want a reflective, accessible concert piece at Grade 2 without sacrificing artistic substance. Directors programming services of worship, autumn or spring concerts, or thematic programs centered on hymn traditions will find this both meaningful and technically manageable.

How to get the most out of it

  • Balance the opening trumpet solo carefully so it sits above the ensemble without overwhelming it; the 'mist' effect depends on restraint from the rest of the band.
  • Shape the melodic line with long, supported phrases during the variations; these hymn-based melodies breathe naturally when conductors resist rushing the tempo.
  • Bring out the rescorings as distinct textural moments by adjusting dynamics and articulation between sections rather than playing the same passage identically each time.
  • Control the final resolution with a deliberate, sustained approach; the reflective ending needs patience and unified breath support across the ensemble.

How to use it

Open a concert with this to establish a contemplative mood, or position it as an intermission closer when you want the audience to sit with something beautiful. It pairs well with contrasting, more energetic selections and works beautifully in any program celebrating folk heritage.

Skills your students will build

  • Balanced blend across brass sections
  • Sustained phrase shaping in hymn-based melodies
  • Dynamic control and contrast between rescored variations
  • Listening to solo and accompanying roles within ensemble texture
  • Ensemble restraint and space awareness

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